When night comes upon the Terrace, one may see it at its very best. He may watch the day die over the Laurentians, the western sky fill with pink afterglow, and the very edge of those ancient peaks sharpen as if outlined with an engraver's steel. For a moment, as the summer day hesitates there on the threshold of twilight and good-by, he may trace the country road that runs its course along the north bank of the St. Lawrence by the tiny homes of the _habitans_ that line it, he may raise his eyes again to the sharp blue profile of the mountains. He may hear, as we heard, the old gentleman from St. Roch, whisper as he raises his pointing cane: "I come here every night and look upon the amphitheater of the gods." So it is the night that is the most subtle thing about Quebec. It is night when one may hear the bells of all the churches that have been a-jangle since early morning ring out for vespers before the many altars, the sharp report of the evening gun speaking out from the ramparts of the Citadel. After that, silence--the silence of waiting. There is a surcease of the chiming bells--the Terrace becomes deserted of the army of pleasure-seekers who a little time before were making meaningless rotation upon it, the bandmen fall asleep in their cell-like casements of the Citadel, the lights of Lower Town and of Levis go snuffing out one by one. Silence--the silence of waiting. Only the sentinels who pace the ramparts of the crumbling fortifications, the occasional policeman in the narrow street, the white-robed sister who sits in perpetual adoration of the Sacrament, proclaim Quebec awake. Quebec does not sleep. She lives, like an aged belle in memory of her triumphs of the past, keeps patiently the vigil of the lonely years, and awaits the coming of Christ. THE END * * * * * TRANSCRIBER'S NOTES: Punctuation and spelling standardized. Frequent inconsistent hyphenation not changed. End of the Project Gutenberg EBook of The Personality of American Cities, by Edward Hungerford