Happy Jack and Big Medicine took turns at the crank of the big drying
drum, around which Andy and Weary had carefully wound the wet film. Being
a crude, home-made affair, the crank that kept that drum turning over and
over did not work with the ease of ball-bearings. But Happy Jack, rolling
his eyes up at Luck when he hurried past to attend to something
somewhere, did not venture his opinion of the task. Nor did Big Medicine
bellow any facetious remarks whatever, but turned and sweated, and used
the other hand awhile, and turned and turned, and goggled at Luck
whenever Luck came within his range of vision, and changed off to the
other hand and turned and turned, and still said nothing at all.
Bill Holmes went to sleep about midnight and came near ruining a batch of
firelight scenes in the analine bath, and after that Luck did all the
technical part of the work himself. The Happy Family did what they could
and wished they were not so ignorant and could do more. They could not,
for instance, help Luck in the final assembling of the polished film and
the putting in of the sub-titles and inserts. But they could polish that
film, after he showed them how; so Pink and Weary did that. And at
daylight Luck shook Bill Holmes awake and set him to work again.
Just to show that Luck was human, even though he was obsessed by a frenzy
of work, he sent the boys outside, whenever one of them could be spared,
for the smoke they craved and could not have among that five thousand
feet of precious but highly inflammable film. But he did not treat
himself to the luxury of a cigarette.
Luck had not yet solved the problem of meeting the expense of the trip
to El Paso. Riding down with a pack-horse would take him too long; the
best he could do would not be quick enough; for the Convention would be
over before he got there, and his trip therefore useless. He worked
just as fast, however, as though he had only to buy his ticket and take
the train.
And then, when the last drumful was drying, he got his idea, and took
Andy by the shoulder and led him out into the little front hall. "Boy,"
he said, "you hook up the team and drive like hell out to the ranch and
get the camera and all the lenses. And right under the lid of my trunk
you'll find a letter file marked Receipts. In the C pocket you'll find
the sales slips of camera and so on; you bring them along. And bring my
bag and any clean socks and handkerchiefs you can find, and my gray suit
and some collars and ties. Oh, and my shoes. Make it back here by two
o'clock if you can; before three at the latest."
Public-domain text, read in full here on John Shaqi.
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