The Phantom 'Rickshaw, and Other Ghost StoriesKipling, Rudyard
General
The Phantom 'Rickshaw, and Other Ghost Stories
Kipling, Rudyard
Ghost stories, English
There are few things sweeter in this world than the guileless,
hot-headed, intemperate, open admiration of a junior. Even a woman in
her blindest devotion does not fall into the gait of the man she adores,
tilt her bonnet to the angle at which he wears his hat, or interlard her
speech with his pet oaths. And Charlie did all these things. Still
it was necessary to salve my conscience before I possessed myself of
Charlie’s thoughts.
“Let’s make a bargain. I’ll give you a fiver for the notion,” I said.
Charlie became a bank-clerk at once.
“Oh, that’s impossible. Between two pals, you know, if I may call you
so, and speaking as a man of the world, I couldn’t. Take the notion if
it’s any use to you. I’ve heaps more.”
He had--none knew this better than I--but they were the notions of other
men.
“Look at it as a matter of business-between men of the world,” I
returned. “Five pounds will buy you any number of poetry-books. Business
is business, and you may be sure I shouldn’t give that price unless----”
“Oh, if you put it _that_ way,” said Charlie, visibly moved by the
thought of the books. The bargain was clinched with an agreement that
he should at unstated intervals come to me with all the notions that he
possessed, should have a table of his own to write at, and unquestioned
right to inflict upon me all his poems and fragments of poems. Then I
said, “Now tell me how you came by this idea.”
“It came by itself.” Charlie’s eyes opened a little.
“Yes, but you told me a great deal about the hero that you must have
read before somewhere.”
“I haven’t any time for reading, except when you let me sit here, and
on Sundays I’m on my bicycle or down the river all day. There’s nothing
wrong about the hero, is there?”
“Tell me again and I shall understand clearly. You say that your hero
went pirating. How did he live?”
“He was on the lower deck of this ship-thing that I was telling you
about.”
“What sort of ship?”
“It was the kind rowed with oars, and the sea spurts through the
oar-holes and the men row sitting up to their knees in water. Then
there’s a bench running down between the two lines of oars and an
overseer with a whip walks up and down the bench to make the men work.”
“How do you know that?”
“It’s in the tale. There’s a rope running overhead, looped to the upper
deck, for the overseer to catch hold of when the ship rolls. When the
overseer misses the rope once and falls among the rowers, remember the
hero laughs at him and gets licked for it. He’s chained to his oar of
course--the hero.”
“How is he chained?”
“With an iron band round his waist fixed to the bench he sits on, and a
sort of handcuff on his left wrist chaining him to the oar. He’s on the
lower deck where the worst men are sent, and the only light comes from
the hatchways and through the oar-holes. Can’t you imagine the sunlight
just squeezing through between the handle and the hole and wobbling
about as the ship moves?”
“I can, but I can’t imagine your imagining it.”
Public-domain text, read in full here on John Shaqi.
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