The Phantoms of the Foot-Bridge, and Other StoriesCraddock, Charles Egbert
General
The Phantoms of the Foot-Bridge, and Other Stories
Craddock, Charles Egbert
Cumberland Mountains -- Fiction; Mountain life -- Fiction; Tennessee -- Social life and customs -- Fiction
At last the old man, leaning forward, tapped Joe on the knee. "See hyar,
Joe. Ye hev always been a good frien' o' mine. This hyar man he stole my
darter from me, an' whenst she wanted ter be frien's, an' not let her
old dad die unforgivin', he wouldn't let her send the word ter me. An'
then he sot himself ter spite an' hector me, an' fairly run me out'n the
town, an' harried me out'n my office, an' when she f'und out--she
wouldn't take my word fur it--the deceivin' natur' o' the Kittredge
tribe, she hed hed enough o' 'em. I hev let ye argufy 'bout'n it; ye hev
hed yer fill of words. An' now I be tired out. Ye ain't 'lowin' she'll
ever go back ter her husband, air ye?"
Joe dolorously shook his head.
"Waal, ef ever ye kem hyar talkin' 'bout'n it agin, I'll be 'bleeged ter
take down my rifle ter ye."
Joe gazed, unmoved, into the fire.
"An' that would be mighty hard on me, Joe, 'kase ye be so pop'lar
'mongst all, I dunno _what_ the kentry-side would do ter me ef I war ter
put a bullet inter ye. Ye air a young man, Joe. Ye oughter spare a old
man sech a danger ez that."
And so it happened that Joe Boyd's offices as mediator ceased.
A week went by in silence and without result. Evelina's tears seemed to
keep count of the minutes. The brothers indignantly noted it, and even
the old man was roused from the placid securities of his theories
concerning lachrymose womankind, and remonstrated sometimes, and
sometimes grew angry and exhorted her to go back. What did it matter to
her how her father was treated? He was a cumberer of the ground, and
many people besides her husband had thought he had no right to sit in a
justice's chair. And then she would burst into tears once more, and
declare again that she would never go back.
Public-domain text, read in full here on John Shaqi.
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