The Pharaoh and the Priest: An Historical Novel of Ancient EgyptPrus, Bolesław
History
The Pharaoh and the Priest: An Historical Novel of Ancient Egypt
Prus, Bolesław
Egypt -- History -- To 332 B.C. -- Fiction
"'I am curious to know,' thought the scribe, 'why my friend Amon
forbade me to touch that thing over there in the corner. Well, for
such a property he had a right to impose conditions; though I should
not have imposed them on him. For if all this palace is my property,
if I may use all that is here, why should I not even touch this
thing-- I may not touch it, but I may look at it.'
"He approached the figure, drew the veil aside carefully, looked; it
was indeed beautiful. It resembled a boy, but was not a boy. It had
hair reaching to its knees, delicate features, and a look full of
sweetness.
"'Who art thou?' asked the scribe of the figure.
"'I am a woman,' answered the figure, with a voice that penetrated his
heart like a Phœnician dagger.
"'Woman?' thought the scribe. 'They did not tell me about woman in the
priests' school. Woman?' repeated he. 'But what hast thou here?'
"'Those are my eyes.'
"'Eyes? What canst thou see with eyes which would melt before any
light?'
"'Those are not eyes made for me to look from, but thou must look into
them.'
"'Wonderful eyes!' thought the scribe to himself; and he walked
through the chamber.
"Again he stood before the figure, and asked,--
"'But what hast thou here?'
"'Those are my lips.'
"'By the gods, thou wilt die of hunger,' cried he, 'for with such
little lips thou couldst take in no food whatever.'
"'They are not for eating,' answered the figure, 'but thou art to kiss
them.'
"'To kiss,' repeated the scribe. 'They did not tell me in the priests'
school of kissing. But these--what are they?'
"'Those are my hands.'
"'Hands? It is well that thou hast told me, for with those hands thou
couldst not do anything; thou couldst not milk sheep even.'
"'My hands are not for work.'
"'But for what?' wondered the scribe, spreading apart her fingers (as
I do thine, Kama," said the prince, fondling the small hands of the
priestess). "'But what are those arms for?' inquired the scribe of the
figure.
"'To put around thy neck.'
"'Thou wishest to say shoulder,' cried the frightened scribe, whom the
priest always seized by the shoulder when he was to get stripes.
"'Not by the shoulder,' said the figure, 'but this way;' and she put
her arms around his neck thus," said the prince (here he put his arms
around the priestess), "and she nestled up to his breast thus" (here
he nestled up to Kama).
"Lord, what art thou doing?" whispered Kama. "But this is my death."
"Have no fear," replied the prince; "I was only showing thee what the
statue did to that scribe in his palace. The moment she embraced him
the earth trembled, the palace disappeared, dogs, horses, slaves
vanished. The hill covered with grape-vines turned into a cliff, the
olive-trees into thorns, the wheat into sand. The scribe, when he
recovered in the embrace of his love, understood that he was as poor
as he had been on the highroad a day earlier. But he did not regret
his wealth, since he had a woman who loved and who clung to him."
Public-domain text, read in full here on John Shaqi.
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