The Pharaoh and the Priest: An Historical Novel of Ancient EgyptPrus, Bolesław
History
The Pharaoh and the Priest: An Historical Novel of Ancient Egypt
Prus, Bolesław
Egypt -- History -- To 332 B.C. -- Fiction
Monotony, the irritating yellow color of the sand plain, the heat,
and, above all, boundless immensity are the most peculiar traits of
the Libyan desert, which extends westward from Egypt.
But viewed more nearly the desert is in fact less monotonous. Its sand
is not level, but forms a series of swellings which recall immense
waves of water. It is like a roused sea solidified on a sudden. But
whoso should have the courage to go across that sea for an hour, two
hours, a day, directly westward would see a new sight. On the horizon
would appear eminences, sometimes cliffs and rocks of the strangest
outlines. Under foot the sand would grow thinner, and from beneath it
limestone rocks would emerge just like land out of water.
In fact that was a land, or even a country in the midst of a sand
ocean. Around the limestone hills were valleys, in them the beds of
streams and rivers, farther on a plain, and in the middle of it a lake
with a bending line of shores and a sunken bottom.
But on these plains, hills, and heights no blade of grass grows; in
the lake there is no drop of water; along the bed of the river no
current moves. That is a landscape, even greatly varied with respect
to forms, but a landscape from which all water has departed,--the very
last atom of moisture has dried from it; a dead landscape, where not
only all vegetation has vanished, but even the fertile stratum of
earth has been ground into dust or dried up into rock slabs.
In those places the most ghastly event has taken place of which it is
possible to meditate: Nature has died there, and nothing remains but
her dust and her skeleton, which heat dissolves to the last degree,
and burning wind tosses from spot to spot.
Beyond this dead, unburied region stretches again a sea of sand, on
which are seen, here and there, towering up in one and another place,
pointed stacks as high as a house of one story. Each summit of such a
little hill is crowned by a small bunch of gray, fine, dusty leaves,
of which it is difficult to say that they are living; but it may be
said that they cannot wither.
One of these strange stacks signifies that water in that place has
not dried up altogether, but has hidden from drought beneath the
earth, and preserves dampness in some way. On that spot a tamarind
seed fell, and the plant has begun to grow with endless effort.
But Typhon, the lord of the desert, has noted this, and begun to
stifle it with sand. And the more the little plant pushes upward, the
higher rises the stack of sand which is choking it. That tamarind
which has wandered into the desert looks like a drowning man raising
his arms, in vain, heavenward.
And again the yellow boundless ocean stretches on with its sand waves
and those fragments of the plant world which have not the power to
perish. All at once a rocky wall is in front, and in it clefts, which
serve as gateways.
Public-domain text, read in full here on John Shaqi.
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