These are only two illustrations out of the multitude carved with spirit and fidelity upon the interior of the great temple hewn in the sandstone rock at Abu-simbel, in Nubia, which, even in its present condition, excites a wonder that is akin to awe. In front of the entrance stand four colossal statues of the king seated on his throne, each of which is 66 feet in height. The face is grandly represented; a calm, haughty repose marks the features, and the placid, if not scornful, smile so characteristic of the king rests upon his lips—accustomed to speak in accents of command from early childhood and on to extreme old age. Close by is a smaller temple erected by queen Nefertari, the loved wife of his early manhood, in honour of her lord. Within its walls we may see family groups sculptured—the king in the prime of manhood, his beautiful young wife, and her children. An inscription tells us that—‘To the sovereign of the two lands, son of the Sun, lord of crowns, Rameses Meri-amen, his loving lady, queen, and princess Nefertari, has built a temple at Abu by the waters. Grant him life for evermore!’ In the great temple, Nefertari is only once depicted; here the children are grown up, and the sons follow their father to the battle. Rameses himself is older, the glow and ardour of early years have given way to the placidity and repose of later life, when his wars and his victories were over; for, though renowned as a conqueror, the greater part of his long reign passed by in peace. Nefertari herself does not seem to have lived long, and Rameses apparently was married two or three times; his last wife (so far as we can gather) was a foreign princess, whose hand was the pledge of lasting friendship and alliance between the two leading nations of the day.[52]