She dressed herself for the street, and, for the first time in six
years, took the well-remembered way toward Herman's studio down among
the warehouses and wharves. She was indignant at the action of the
committee, of which she felt that Herman should be told. As, however,
she neared the place, old associations and feelings made her heart beat
quickly. When she put aside the great Oran rug and entered the studio,
she felt a choking sensation in her throat, and the tears sprang to her
eyes. She remembered so vividly the day when she had stood in this very
spot and parted from her lover, that it almost seemed to her for the
moment as if she had come to enact that scene again.
The place was more bare than of old. The pictures from the walls and
many of the ornaments had been removed to the house which Herman had
fitted up on his marriage with Ninitta; but in his usual place stood
the sculptor, at work by his modelling stand, and over the rail of the
gallery above, toward which her eyes instinctively turned as the old
memories wakened, she saw the sculptured edge of a marble Grecian
altar. The recollections were too poignant, and she started forward
quickly, as if to escape an actual presence.
The studio was so large that Herman had fallen into the way of saving
himself the trouble of answering the bell by putting up the sign "Come
in" upon the door, and he was not aware of Helen's presence until he
saw her standing with her hand upon the portiere, as he had seen her
six years before when she had renounced him, placing his honor before
their love. With an exclamation that was almost a cry, he dropped his
modelling tool and started forward to meet her.
"Helen!" he cried, and the intensity of his feelings made it impossible
for him to say more.
Yet, however strong the emotions which were aroused by this
meeting,--and for both of them the moment was one of keenest
feeling,--they were schooled to self-control, and after that first
exclamation the sculptor was outwardly calm as he went to greet his
visitor. Even for those who are not guided by principle, self-restraint
comes as the result of habit, and none of us in this age of the world
assert the right of emotion to vent itself in utterance. The
Philoctetes of Sophocles might shriek to high heaven, and Mars vent the
anguish of his wounds in cries and sobs, but we have changed all that.
Even the muse of tragedy is self-possessed in modern days; good
breeding has conquered even the fierce impulse of passion to find
outlet in words.
Both Herman and Helen were alive to the danger of the situation, and
their meeting was one of perfect outward calm.
"Good morning," she said, "it seemed so natural to walk in, that I
should almost have done it if your card hadn't been on the door."
She held out her hand as she spoke.
"I cannot shake hands," he said, "I am at work, you see."
Public-domain text, read in full here on John Shaqi.
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