"Of course I didn't know many of them," Melissa returned humbly; "but I
could see that there were a lot of people that everybody seemed to
know. I'm glad that you were pleased."
Orin pulled out a big cigar and bit the end off it excitedly.
"Pleased!" he echoed. "I was more than pleased--I was delighted. All
the committee were there, of course, and half the fashionable women of
Boston."
"I heard a lady telling another who the artists were," Milly observed,
glad to find a subject upon which she could talk to Orin easily.
"O yes, there were a lot of artists there, but they don't count for
much in getting a fellow commissions."
Stanton had evidently no intention of being satirical, but spoke with
straightforward plainness what he would have regarded, had he given the
matter any thought at all, as being a truth too obvious to need any
disguises. His Philistinism was of the perfectly ingrained, inborn
sort, which never having appreciated that it is naked has never felt
the need of being ashamed; and he let it be seen on any occasion with a
frankness which arose from the fact that it had never occurred to him
that there was any reason why he should conceal it. He was one of those
artists who never would be able wholly to separate his idea of the muse
from that of a serving-maid; and he viewed art from the strictly
utilitarian standpoint which considers it a means toward the payment of
butcher and baker and candlestick maker. He was not indifferent to the
opinion of his fellow sculptors; but the criticism of Alfred Irons,
which he knew to be backed by a substantial bank account, would have
outweighed in his mind the judgment of Michael Angelo or Phidias.
Milly, of course, had no ideas about art beyond a faint sentimental
tendency to regard it as a mysterious and glorious thing which one
could not wholly escape in Boston; while her thrifty New England
nurture enabled her to appreciate perfectly the force of the
considerations Orin brought forward.
"I am glad you are getting commissions," she said, "but it must be nice
to have the artists like your work, for after all, don't you think rich
people depend a good deal upon what the artists say?"
"Oh yes, they do, some," admitted the sculptor.
He puffed his cigar, and with the aid of a penknife performed upon his
nails certain operations of the toilet which are more usually attended
to in private. Milly sat nervously trying to think of something to say,
and wondering what had brought the sculptor to visit her. She was too
kindly to suspect that possibly he had come because in her company he
could enjoy the pleasure of giving free rein to his self-conceit. The
words of her companion of the afternoon had given her a new sense of
the honor of a visit from her prospective brother-in-law, although this
increased her diffidence rather than her pleasure.
"Was Mr. Fenton there this afternoon?" she asked, at length, simply for
the sake of saying something.
The face of her companion darkened.
Public-domain text, read in full here on John Shaqi.
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