While Edith chatted with her, the steward called Fenton away, in
connection with some question about the catalogues, and when Mrs.
Ranger moved on, Edith found herself for an instant alone. The mention
of her husband's name behind her caught her ear and her attention.
"Fenton's cheeky enough for anything!" said an unknown voice. "But he
makes a point of his good taste, and I think it's beastly poor form for
him to show that picture here."
"Bently says," returned another voice, also strange to Edith, "that
Fenton says she didn't pose for him, but that he worked it up from old
studies."
"I don't care if he did," was the response. "All the fellows know it,
and Herman must feel like the deuce."
"But you can't suppress every picture that has a study of her in it."
"Hush," said the other voice, "there comes Herman himself."
It seemed to Edith that this brief dialogue had been shouted out so
that it could not be inaudible to any one in the room. She looked about
for her husband. Her ears rang with the meaningless babble of voices,
the jargon of human sounds conveying far less impression of
intelligence than the noise of water on the shore, or the sound of the
wind in the tree-tops. All about her were faces wreathed in
conventional smiles, the inevitable laughter, the usual absence of
earnestness, and in the midst of all, with a shock hardly less painful
than that of the discovery she had just made, she heard the voice of
Herman bidding her good evening.
She held out her hand to him with a hasty, excited gesture. She was
painfully conscious that he had but to lift his eyes to see the
_Fatima_ hanging on the opposite wall of the gallery, and she
instinctively felt that she must draw his attention away.
"How do you do, Mr. Herman," she said, with eager warmth. "Is Mrs.
Herman with you?"
She moved half around him as she spoke, as if compelled by the shifting
of the crowd to change her position; and while she shook hands managed
to bring herself almost face to the picture, so that his back was
toward it.
"No," he answered, "she never comes to these things if she can possibly
help it. I hear your husband has outdone himself on this exhibition."
Edith looked about despairingly for Arthur. She felt herself unequal to
the emergency, and longed for his clever wits to contrive some means of
escape from the cruel dilemma in which his act had placed her and his
friend. Indignation, shame, and sorrow filled her heart. She recognized
that Arthur had not told her the truth in regard to Ninitta. The dread
and the suspicion which she had felt on the night of the dinner
returned to her with tenfold force. But the greatest triumph of modern
civilization is the power it has bestowed upon women of concealing
their feelings. The pressing need of the moment was to show to Herman a
smiling and untroubled face, and to avoid arousing his suspicion that
anything was wrong.
Public-domain text, read in full here on John Shaqi.
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