external body is essentially full of pores and irregularities, which must eternally prevent its receiving the accuracy of geometrical body, though polished by the hand of an angel. Besides, what polishing would ever produce a point without parts, and a line without breadth? For though body may be reduced to the greatest exility, it will not by this means ever pass into an incorporeal nature, and desert its triple dimension. Since external matter, therefore, is by no means the receptacle of geometrical figures, they must necessarily reside in the catoptric matter of the phantasy, where they subsist with an accuracy sufficient for the energies of this science. It is true, indeed, that even in the purer matter of imagination, the point does not appear perfectly impartible, nor the line without latitude: but then the magnitude of the point, and the breadth of the line is indefinite, and they are, at the same time, unattended with the qualities of body, and exhibit to the eye of thought, magnitude alone. Hence, the figures in the phantasy, are the proper recipients of that universal, which is the object of geometrical speculation, and represent, as in a mirror, the participated subsistence of those vital and immaterial forms which essentially reside in the soul. [95] This division is elegantly explained by Ammonius, (in Porphyr. p. 12.) as follows, “Conceive a seal-ring, which has the image of some particular person, for instance, of Achilles, engraved in its seal, and let there be many portions of wax, which are impressed by the ring. Afterwards conceive that some one approaches, and perceives all the portions of wax, stamped with the impression of this one ring, and keeps the impression of the ring in his mind: the seal engraved in the ring, represents the universal, prior to the many: the impression in the portions of wax, the universal in the many: but that which remains in the intelligence of the beholder, may be called the universal, after and posterior to the many. The same must we conceive in genera and species. For that best and most excellent artificer of the world, possesses within himself the forms and exemplars of all things: so that in the fabrication of man, he looks back upon the form of man resident in his essence, and fashions all the rest according to its exemplar. But if any one should oppose this doctrine, and assert that the forms of things do not reside with their artificer, let him attend to the following arguments. The artificer either knows, or is ignorant of that which he produces: but he who is ignorant will never produce any thing. For who will attempt to do that, which he is ignorant how to perform? since he cannot act from an irrational power like nature, whose operations are not attended with animadversion. But if he produces any thing by a certain reason, he must possess a knowledge of every thing which he produces. If, therefore, it is not impious to assert,