The chief difficulty, however, which the candidate in pessimism will encounter in his first attempt to practice the foregoing recommendations is that which is raised by the hypocrisy of the world, to which allusion has been already made; and yet, in Schopenhauer's teaching, the most practical lesson that can be given to youth is the showing up of the whole thing for the sham that it is. "The splendors are merest tinsel," he says; "the essence of the thing is lacking; the fêtes, the balls, the illuminations, the music, are but the banners, the indications, the hieroglyphics of joy; yet, as a rule, joy is absent, it alone has sent a regret. When it does present itself, it comes ordinarily without invitation and unannounced; it enters, _sans façon_, in the simplest manner, often for the most trivial reason, and under circumstances that are well-nigh insignificant. Like the gold in Australia, it is spread about here and there according to the whim of hazard, without law or rule, generally in small particles, and but seldom in an appreciable quantity." This certainly cannot be termed an enthusiastic view of life, nor, for that matter, is it intended to be so considered. There was too much unreasoning enthusiasm, Schopenhauer thought, and too much unwary skating over thin surfaces, and it was precisely for this reason that he set about painting Danger in the biggest and blackest-looking characters. If his advice, therefore, is not always cheerful, it is at least practical, and in any event no one can go far astray in following the monitory finger-posts which he was the first to erect; the wayfarer who takes them for guidance may perhaps stand still, but at least he will not stumble into any artificial pitfalls, or happen upon unexpected quagmires.