The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
so long as the content of aims and interests is merely and at first
apprehended in the one-sided form of subjective consciousness, and
that one-sidedness is apprehended as a mere limit, this loss makes
itself simply felt as unrest or pain. It is a negative something
which is bound to resolve itself as such negativity, and, in order to
remove the sense of defect, exerts an impulse to transcend the barrier
itself, already an object of consciousness and thought. And, moreover,
this transcendency does not merely amount to this, that the objective
"other" ceases to be an opposed factor to the general subjective
consciousness: rather in the more determinate connection, this defect
of _subjective_ thought is itself and _within_ itself a defect and
_negation_ which involves an impulse to negate and pass beyond. In
other words the conscious subject is implicitly and according to its
essential notion the _complete whole_[183], that is, not merely what
is inward, but the realization no less of that which is inward or
ideal in and through what is without. If we assume that it exists only
abstractly in one form we have to face the contradiction that whereas
it is, according to its concrete notion the whole, yet according to its
mode of existence it remains merely one side of that totality. It is
only through the entire resolution of such a contradiction that life
becomes affirmative. To pass through each phase of this opposition,
contradiction and its final abrogation is the higher and legitimate
demand of conscious life. That which remains always affirmative, is,
and remains, without life. Life is built upon negation and pain. It
is only by crushing out such contradictions in the crucible of fuller
life and knowledge that it remains in its affirmative substance. If it
anchor wholly on contradiction without such a possibility of resolution
it must be infallibly wrecked thereon.
Such, then, is the nature of these determinations of thought regarded
in their abstraction to which it was necessary to draw attention at the
present stage.
The most exalted content which lies within the grasp of self-conscious
life may be concisely called _freedom._ Freedom is the highest
determination of Spirit. In its formal aspect freedom, in its first
instance, consists in this, that the subject thereof ceases to find a
limit or barrier in the material which is set over against it; this
is no longer an element foreign to it, but one in which it finds
itself again. Even under this formal definition of it all necessity
and misfortune disappears; the individual consciousness is reconciled
with the world, finds satisfaction in such reconciliation, and all
opposition and contradiction is thereby dissolved.
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