The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_a_) Now, first, we will observe, in directing our attention more
closely to the essential nature of the notion, that it is no purely
_abstract unity_ opposed to the _differences_ of _phenomenal reality_;
rather, as the notion, it is already the unity that integrates
those relations, and by doing so is concrete totality. The abstract
conceptions such as man, the quality blueness, and their like, are not
notions as such at all, but rather should be called abstract general
concepts, which are only raised to the dignity of the notion, when
we have demonstrated that they contain opposing factors in unity,
and, in such a way, that this self-related nexus of unity constitutes
their notional truth. For instance, the concept "blueness" as a colour
receives such a notional value when it is grasped as the unity, and,
indeed, the specific unity of light and darkness[189]. In the same way
the concept "man" contains within it the opposing factors of sense,
life, and reason, body and mind (spirit); but a particular man is not
to be regarded as a whole consisting in some way of these two aspects
of his personality placed in a relation of indifference side by side
as constituents of the same. Rather, in virtue of the notion, such
a whole contains these constituents in concrete and mediated[190]
union. Add to this that the notion is so completely the absolute bond
and unity of its differences, that independently they cease to exist,
they are unable to assert the particularity, in virtue of which they
might escape from such a union. For this reason the notion includes
all its determining constituents in the form of its own _ideal unity_
and universality, which constitute its _subjective_ character in
contradistinction from the real as the object of sense-perception. For
example, gold is, as a particular object, of specific weight, definite
colour, and placed in a certain relation to specific acids. Such are
varied characteristics of gold, and yet are invariably found in a
unified whole. The smallest speck contains them all in inseparable
union. By analysis or abstraction we indeed separate them, but in their
notion they are inseparably one. The inability of the differences,
which the notion in its truth essentially possesses, to stand alone
in their isolated self-identity is of a similar nature. A still more
apposite illustration is presented by the unique concept of the
self-conscious Ego in its universality. For that which we call soul, or
more appositely the Ego, is the notion itself in its free existence.
The Ego contains a congeries of most distinct concepts and thoughts
in itself; it is a world of ideas; yet none the less this infinitely
complex content, in so far as it lies within the Ego, remains without
a vestige of substantiality or materiality packed within this ideal
unity, as the pure and throughout fluid transparency of the Ego itself
reflected to itself. And this is precisely the way in which the notion
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