The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
2. All that exists, then, has only truth in so far as it is a definite
existence of the Idea. For the Idea is alone the truly real. The truth
of the phenomenal is not derived from the fact that its particular
existence is of an inward or external character, and as such is in
a general sense reality; it is so wholly in virtue of the fact that
such reality is adequate to the notion. Then alone is determinate
existence real and true. And the truth, to which we here refer, is
not a _subjective_ interpretation of it, namely, that a particular
existence is accordant with my own conception of it. It is truth in the
objective sense that the reality of the Ego, or of any external object,
action, or circumstance actually contributes to the realization of
the notion. If this identity is not established the existence remains
purely phenomenal. Instead of the objectification of the notion in its
completeness what obtains is purely a detached aspect of it; and with
regard to this, whatever self-subsistence it may appear to have in
opposition to the unity and universality of the notion, such can only
work to its final confusion by setting it in hostility to the true
notion itself. Our conclusion, therefore, is that only the reality
which adequately expresses the notion is truly reality, and the reason
it is so is that therein the Idea manifests itself as existence.
3. We have maintained that beauty is _Idea_. It follows that
_beauty_ and _truth_ are, in one aspect of them, _identical_. In
other words, beauty must itself in its intrinsic being be true. A
closer investigation will further show to us that truth must be
_distinguished_ from beauty.
The idea is true in the sense that it is so by virtue of its essential
being and according to its fundamental principle[193], and as such
truth it is thought[194]. It is not its sensuous and external
existence, but the _universal_ Idea of thought as present in this. At
the same time the Idea is driven to seek its realization in external
and objectively determined existence, both in the sphere of Nature
and that of Mind. The true, in the absolute sense, also exists. And
in so far as, in this its external existence, it is immediately
apprehended by consciousness, and the notion rests in immediate unity
with its external appearance, the Idea is not only true, but is also
_beautiful._ The _beautiful_ may therefore be defined as the _sensuous
semblance_[195] of the Idea. For the sensuous condition and the
objective world generally maintain no real self-subsistence in beauty,
but have merely to surrender the immediacy of their _being._ In beauty
such are posited simply as the determinate existence and externality
of the notion, and as a form of reality, which itself manifests the
_notion_ in unity with its external appearance in this its particular
objective existence. For this reason it can only pass as the semblance
of the notion.
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