The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
weather-beaten types of such, on which the storm of all the passions
has imprinted its disturbing wave; or others, where the coldness and
superficiality of the soul within is all the impression we receive; or,
lastly, as the final verdict of self-absorbed particularity[268], cases
in which the general type seems almost totally to have disappeared.
There is no end to the caprice of the human features. Speaking
generally, we would associate with this ground the fact that the beauty
of children most arrests us. In their faces we find all pronounced
idiosyncracies slumber as it were beneath a quiet veil; no dominating
passion as yet ravages their soul; not one of the thousand interests of
the grown man has engraved for ever the expression of its necessity on
these mobile features. This envisaged innocence of the child, however,
though we may discover in its flexible animation the possibility of
Life's completed fulness, obviously fails to reveal those profounder
indications of a spirit which has been carried forward to explore
the range of its own recesses and to make its life one with rational
purpose.
We may regard, then, immediate existence, both in the purely physical
and spiritual sense of the term, as a _finitude_, or more justly as a
finitude which does not satisfy its notion and for this very reason
declares its finitude. For the notion, and more concretely still, the
Idea, is essentially _independent_ and _free._ Purely animal life,
although as Life it is the Idea, is no manifestation of infinity as
such or freedom. This is alone possible under conditions, where we find
the notion penetrate so completely the reality which is adequate to
it, that it finds itself entirely at home therein, with no extraneous
matter, to disturb its possession. Then alone do we find it a really
free and concrete individuality. The natural life, on the contrary,
is unable to overcome the element of feeling to which it is attached,
and which renders it incapable of penetrating the entire reality
which enrings it. It finds itself, moreover, immediately conditioned
in itself, restricted in its range and dependent, a result which is
due to the fact that its freedom is not truly self-determinate, but
conditioned by the external: object. And the same thing is true of the
immediate and finite reality of the spirit world in its knowledge,
volitional action, and fateful history. For although in this latter
case we find centres of unity expressed which have a real significance,
neither these any more than the particularities they unite have truth
as they stand by themselves; but only that truth which, in their
reciprocal relation to each other, they manifest as constituent
parts of a whole. And this whole, albeit in a sense adequate to its
notion, does not correspond to it in such a way as to manifest itself
in its full totality[269], which consequently still remains aloof
from such envisagement, or rather, is only apprehended in the ideal
world of thought.
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