The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_γγ_) Consequently in making this demand of the universal
world-condition we must ask for a form of self-subsistency in the same
sense, namely, that the substantially universal in such a condition
must contain within itself as the vehicle of its self-subsistence
the form of subjectivity. The most obvious presentment of this
identity is that of thought. For if thought is, in one aspect of it,
subjective, in another it possesses universality as the product of its
inherent activity, and encloses both universality and subjectivity
in unfettered unity. The universal of thought is, however, not that
of art, whose object is the beautiful. And, indeed, apart from this
distinction, particular individuality as confronted by thought in its
natural envisagement, or form, no less than in its active effects and
complete realization, stands in no necessary correspondence with the
universality of thought. There is, for example, a clear distinction
between the subject apprehended in its concrete content of the actual
world and that which is simply the thinking subject, or at least it is
open to such a distinction. The same kind of cleavage affects the form
of the universal itself. In other words the moment the universal begins
to assert itself in distinction from its otherwise related reality by
that act it has in _objective_ existence separated itself from all the
varied play of its phenomenal particularity, and, in opposition to
the same, has already established an independent position assured and
powerful.
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