The Philosophy of Fine Art, volume 1 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
accompanied for modern culture with the demand that a contradiction
so deep-seated should be dissolved. The mere understanding of
abstract reflection is unable to disengage itself from the obstinacy
of such contradictions. The solution consequently remains here for
consciousness a mere _ought_, and the present and reality is merely
moved within the continuous unrest of a to and fro, which seeks for
that reconciliation it is unable to find. The problem therefore arises
whether such a many-sided and fundamental antagonism, which is unable
to pass beyond the mere ought and postulate of its solution, can be
the essential and wholly expressed truth, and[107], indeed, the final
and supreme consummation. If the culture of the civilized world has
fallen into such a contradiction it becomes the task of philosophy to
dissolve the same, in other words to demonstrate that neither the one
side or the other, in its one sided abstractness, should be held to
possess truth, but that they contain within themselves the principle
of their dissolution. The truth only _then_ comes before us in the
reconciliation and mediation of both; and this mediation is no mere
postulate, but is, in its essential nature, and in its actual presence
the at the same time accomplished and self-accomplishing. And, in
fact, this view agrees directly with unwitting[108] faith and will,
which always has before its conscious life this contradiction in its
resolution, and in action accepts it as its aim and carries it into
effect. All that philosophy achieves is to contribute the insight of
thought into the essence of such cleavage. It demonstrates, or seeks to
demonstrate, how that which truth really is is simply the resolution of
the fracture, and, be it added, not in the sense that this antagonism
and its alternative aspects in any way _are not_, but in the sense that
they are _there_[109] in reconciliation.
(_d_) When discussing moral improvement as the ultimate end accepted
for art it was found that its principle pointed to a higher standpoint.
It will be necessary also to vindicate this standpoint for art.
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