This evolution within the art-spirit has further itself two sides in virtue of its intrinsic nature. _First_, that is to say, the development is itself a spiritual and universal one; in other words there are the definite and comprehensive views of the world[139] in their series of gradations which give artistic embodiment to the specific but widely embracing consciousness of Nature, man, and God. _Secondly_, this ideal or _universal_ art-development has to provide for itself immediate existence and sensuous configuration, and the definite modes of this art-actualization in the sensuous medium are themselves a totality of necessary distinctions in the realm of art--that is to say, they are the _particular types_ of art. No doubt the types of artistic configuration on the one hand are, in respect to their spirituality, of a general character, and not restricted to any one material, and the sensuous existence is similarly itself of varied multiplicity of medium. Inasmuch, however, as this material potentially possesses, precisely as the mind or spirit does, the Idea for its inward soul or significance, it follows that a definite sensuous involves with itself a closer relation and secret bond of association with the spiritual-distinctions and specific types of artistic embodiment[140]. Relatively to these points of view our philosophy will divided into three fundamental parts. _First_, we have a _general_ part. It has for its content object the universal Idea of fine art, conceived here as the Ideal, together with the more elaborated relation under which it is placed respectively to Nature and human artistic production. _Secondly_, we have evolved from the notional concept of the beauty of art a _particular_ part, in so far as the essential distinctions, which this idea contains in itself, are unfolded in a graduated series of _particular_ modes of configuration[141]. _Thirdly_, there results a _final_ part which has to consider the particularized content of fine art itself. It consists in the advance of art to the sensuous realization of its shapes and its consummation in a system of the several arts and their genera and species.