The Philosophy of Fine Art, volume 2 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 2 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_b_) God is the creator of the universe. This is the purest expression
of the Sublime itself. In other words we find that here for the first
time all those fanciful conceptions of _generation_ and purely physical
_procreation_ of external fact by God disappear. Each and all give
place to the thought of creation by virtue of spiritual power and
activity. "God spake: Let there be Light, and there was Light." A
sentence dong ago cited, as a striking illustration of the Sublime by
Longinus. And such indeed it is. The Lord of all, the One substance,
proceeds, it is true, under the mode of self-expression; but the type
of this bringing forth is the purest, nay, a mode of expression,
aetherial so to speak, and without material form, the Word that is to
say, the medium of thought as the ideal Power, in conjunction with
whose mandate that it shall exist, the existing thing is veritably and
immediately posited under the relation of tacit obedience.
(_c_) Into this created world, however, God is not conceived to pass
over as into His reality; rather He abides withdrawn behind Himself,
albeit this opposition supplies no secure ground for a logically
developed dualism. For that which has been brought into being is His
work, possesses no self-consistency as apart from Him. It is solely a
witness to _His_ Wisdom, Goodness, and Justice in general, just that
and no more. The One is Lord over all; His dwelling is not in the facts
of Nature. They are solely the accidents of His Greatness, without
potency in themselves, which can indeed suffer the show of His essence
to appear, but are unable to make the reality of it visible[75]. And
this it is which constitutes the Sublime in its reference to the Divine.
2. Moreover, inasmuch as the one God is thus severed from the
concreteness of the phenomenal world and posited in isolated fixity,
while the externality of determinate existence is on its side defined
and placed in subordination as the finite, both natural and human
existence are now viewed under the novel aspect that they cannot be
conceived as manifesting the Divine without at the same time making
visible their essential finiteness.
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