The Philosophy of Fine Art, volume 3 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
This is the conclusion of Hirt, following in this respect Vitruvius,
and his conclusion has been much disputed. I will in a few words offer
my own view on the matter in dispute, In the ordinary course of such
reflections we seek to discover the abstract and simple law for a
concrete result assumed as already present. It is in this way that
Hirt looks for the basic model of Greek buildings, in like manner
the design[82], the anatomical framework, and finds it, so far as
form and the material connected with it is concerned, in the dwelling
and building of wood. No doubt a house as such is built mainly as a
dwelling, a protection against storm, rain, weather, animals, and
human beings, and requires an enclosure that is complete, in order
that a family or a larger community of men may collect in independent
seclusion and may look after their necessities and pursue their
avocations in such seclusion. The house is a structure throughout with
a definite purpose, a creation of mankind for human objects. For this
reason we find him occupied upon it in many ways and with many objects,
and the structure is articulated in an aggregate pile of all kinds of
mechanical ways of mutual interlacement and imposition[83] in order to
hold in position and secure, according to the laws of gravity, what
men are compelled to look after, that is, the making stable what is
erected[84], the closing it in, the support of what is superimposed,
and not merely in the way of support, but, where the structure rests
horizontally, the preservation of it in such a position, and, further,
the uniting of all that clashes together at nooks and corners and so
on. Now it is quite true that the house makes it necessary that the
enclosure should be complete; and for this walls are most serviceable
and safest; and from this point of view the building of stone appears
most to answer the purpose. We may, however, with equal ease construct
our fence with posts standing in juxtaposition, upon which then beams
will rest, which at the same time both bind together and secure the
perpendicular posts. Finally we come to the cover of all and roofing.
In the temple house, moreover, the fact of enclosure is not the main
fact of importance, but the feature of support and being supported. For
this mechanical result the wooden structure is obviously the nearest
to hand and the most natural. For the post, as that which supports,
which at the same time requires a means of conjunction, and suffers the
same to weigh on it in the shape of the cross-beam, constitutes here
all that goes to the root of the matter. This essential division of
parts and connection as well as the association of these aspects for
a definite purpose belongs to the very nature of a wooden structure,
which has its necessary material directly supplied it by the tree. In
the tree we find already, without working upon it to any considerable
or laborious extent, both post and beam, in so far as, that is, the
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