The Philosophy of Fine Art, volume 3 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 3 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_b_) We may, _secondly_, regard the _Roman_ type of building as
an intermediate form standing between that of Greek and Christian
architecture, in so far as here we find mainly the application of arch
and vaultings. It is not possible to determine with accuracy the time
when the construction of arches was first discovered; it appears,
however, certain that neither the Egyptians, despite the great progress
they made in the arts of building, nor the Babylonians, Israelites, and
Phoenicians were cognisant of the _ogive_ or the _vault._ The monuments
of Egyptian architecture at any rate only show us that when it was a
question of superimposing a roof over the interior of a building the
one means the Egyptians had at their disposal was that of placing
huge slabs of stone across like beams in horizontal position. If it
was required to arch up broad entrances, or cross arches they knew
of no other way of doing this than letting one stone on either side
project forward, with another still more projecting one above it, so
that the side walls gradually approached upwards until they reached
a point where only one stone was necessary to close the remaining
space between. Where such an expedient was not necessary they covered
the spaces with huge slabs of stone arranged across in the manner of
rafters.
Among the Greeks we do, I believe, find monuments in which the arch
construction has already been adopted, but they are rare; and Hirt,
who has written with most authority over the building and the history
of the building of antiquity, affirms that among such monuments we
can rely on none with security as dating from a time previous to
that of Pericles. In other words, in Greek architecture the features
which are characteristic and elaborated are the column and beam in
horizontal position, so that we find here the column very little used
in a relation which lies apart from its true function, namely that
of supporting beams. Moreover the arch that is vaulted from two
piers or columns, and the knob-like formation, connotes a yet further
feature, for we find here that the column already begins to forsake its
determinate attribute of support. For the circular arch in its rise,
its flexure and its declivity is related to a centre which has nothing
to do with the column as a means of support. The separate parts of
the circular arch are carried in mutual opposition; they support and
prolong each other in a way that shows them far more remote from the
direct assistance of the column than is the horizontally superimposed
beam.
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