The Philosophy of Fine Art, volume 4 (of 4): Hegel's AesthetikHegel, Georg Wilhelm Friedrich
Philosophy
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Hegel, Georg Wilhelm Friedrich
Aesthetics
(_ββ_) _Secondly_, _assonance_ has nothing to do with initial letters,
but makes a nearer approach to rhyme in so far as it is a recurrence
in identical sound of the same letters in the middle or at the
termination of different words. It is not necessary, of course, that
these assonant words should in all cases come at the conclusion of
a line; they may fall into other places. Mainly, however, it is the
concluding syllables of lines which come into this mutual relation of
assonance, as contrasted with alliteration which is effective rather at
the line's commencement. In its richest elaboration we may associate
this assonance of language with the Romance nations, more especially
the Spanish, whose full-toned language is peculiarly adapted to this
recurrence of the same vowels. As a rule, no doubt assonance is here
restricted to vowels. But the language further permits of other variety
of assonance, not only that of vowels, but also that of identical
consonants and consonants in association with one vowel.
(_γγ_) That which, as above described, alliteration and assonance are
only able to establish with incompleteness is abundantly fulfilled by
_rhyme._ In it, and expressly to the exclusion of initial letters, we
have asserted the wholly equable sound of entire verb stems,[49] which
are, by virtue of this equability, brought into an express relation
with their tonal utterance. We have no mere question now of the number
of the syllables. Words of one syllable, no less than others of two or
more, may be rhymed. By this means we not only get the masculine rhyme,
which is restricted to words of one syllable, but also the feminine
rhyme, which embraces words of two syllables, as also the so-called
gliding rhyme, which reaches to three or even more syllables. It is
in particular the languages of Northern Europe which incline to the
first type, Southern languages to the second, such as the Italian and
Spanish. The German and French languages would appear to lie between
these two extremes. Rhymes of more than three syllables are rarely to
be met with in any language.
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