The Philosophy of Giambattista VicoCroce, Benedetto
Philosophy
The Philosophy of Giambattista Vico
Croce, Benedetto
Vico, Giambattista, 1668-1744
Passing from the poems to the traditions of their author, the lives
of Homer by Herodotus (if Herodotus really wrote it) and Plutarch
are valueless. The most elementary facts about Homer are unknown: it
is precisely concerning the man whom they considered the greatest
luminary of Greece that the ancients leave us most completely in the
dark. We know neither Homer's date nor his birthplace: each one of
the Greek peoples claimed him as their citizen. It is said indeed
that he was poor and blind, but it is just these details which excite
our suspicion, as our laughter is aroused by the argument of Longinus
which makes the _Iliad_ the work of his youth and the _Odyssey_ that
of his old age. It would be indeed remarkable if such knowledge were
current concerning a man in whose case the two trifling details of
time and place were unknown! Above all, criticism must ask how a single
man could ever have composed two poems of such a length at a time when
writing was not in existence: since the three inscriptions of heroic
age, one of Amphitryon, another of Hippocoön and a third of Laomedon
mentioned with an excess of good faith by Vossius are mere forgeries
like those made by the strikers of false coins.
All these considerations led Vico to suspect that Homer himself was not
a real person but one of those poetic characters to whom the ancient
world ascribed long series of actions, works and events. If we try to
conceive the Homeric poems not as the work of an individual but as
two great storehouses of the manners and customs of earliest Greece,
containing the history of its natural law and heroic period; if instead
of a single poet we imagine a whole nation of poets, and instead of a
single act of creation, a national poetry developing in the course of
centuries, everything falls into its place and finds an explanation.
The extravagance of the legends is explained by the fact that the
composition of the _Iliad_ and _Odyssey_ falls in the third period of
their existence. In the hands of the theological poets they were true
and severe, by the heroic poets they were altered and corrupted, and
in this corrupt state they were incorporated in the two poems. The
variety of customs is explained if we consider the various periods of
composition, and so also the "young Homer" and "old Homer," which are
symbolic of the earlier and later periods of primitive Greece. The
diversity of sites assigned to his birth and death and the variety
of his dialects are accounted for by the fact that different peoples
produced the lays. Finally, it is explained why every Greek people
claimed him as a citizen, just because these peoples were themselves
Homer; and why he was called blind and a beggar, because such were
as a rule the singers who went about from fair to fair reciting their
tales. Thus in order to be rightly understood Homer must lose himself
in the crowd of Greek peoples and be considered an idea or heroic
Public-domain text, read in full here on John Shaqi.
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