The Philosophy of Giambattista VicoCroce, Benedetto
Philosophy
The Philosophy of Giambattista Vico
Croce, Benedetto
Vico, Giambattista, 1668-1744
refers to the spontaneous creative activity of the human mind. The
point at issue is however precisely the empirical aspect of this law,
not the philosophical: and the true reply seems to us to be, as we have
already suggested, that Vico could not take and ought not to have taken
other circumstances into account, just as--to recall one instance--any
one who in studying the various phases of life describes the first
manifestations of the sexual craving in the vague imaginations and
similar phenomena of puberty, does not take into account the ways in
which the less experienced may be initiated into love by the more
experienced, since he is setting out to deal not with the social laws
of imitation but with the physiological laws of organic development.
If it is said that even without imitation or sophistication the sexual
craving arises no less and demands satisfaction, such a statement
doubtless merely asserts the incontrovertible truth of a certain very
ancient Eastern tale included by Boccaccio in the _Decameron_: but at
the same time it supplies the most complete parallel to the famous and
much controverted aphorism of Vico.
Nor is the Vician law of reflux necessarily opposed, as has often been
thought, to the conception of social progress. It would be so opposed
if instead of being a law of mere uniformity it were one of identity,
in agreement with the idea of an unending cyclical repetition of single
individual facts which has been adopted by certain extravagant minds
of both ancient and modern times. The reflux of history, the eternal
cycle of the mind, can and must be conceived, even if Vico does not
so express it, as not merely diverse in its uniform movements, but
as perpetually increasing in richness and outgrowing itself, so that
the new period of sense is in reality enriched by all the intellect
and all the development that preceded it, and the same is true of the
new period of the imagination or of the developed mind. The return of
barbarism in the Middle Ages was in some respects uniform with ancient
barbarism; but it must not for that reason be considered as identical
with it, since it contains in itself Christianity, which summarises and
transcends ancient thought.
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