The Philosophy of History, Vol. 1 of 2Schlegel, Friedrich von
Philosophy
The Philosophy of History, Vol. 1 of 2
Schlegel, Friedrich von
History; History -- Philosophy
understood as a poetical and figurative expression! Undoubtedly the
scriptures often oppose to that natural emblem or veil of divine power,
in the pure elements, an evil, subterraneous and destructive fire--the
false light of the fiends of error--the poisonous breath of moral
contagion. And how could it be otherwise? Nature in its origin was
nought else than a beautiful image--a pure emanation--a wonderful
creation--a sport of omnipotent love; so, when it was severed from its
divine original, internally displaced, and turned against its Maker, it
became vitiated in its substance, and fraught with evil. This alienation
of Nature from God, this inversion of the right order in the relations
between God and Nature, was the peculiar, essential and fundamental
error of ancient Paganism, its false Mysteries, and the abusive
application of the higher powers of Nature in magical rites. On the
other hand, we ought to regard every similar inversion of things and of
ideas, every similar derangement in the divine system, though
established on the basis of Christianity, and by Christian
philosophers--we ought, I say, to regard every such attempt as being in
its essential nature and principle a heathen enterprise--the foundation
of a scientific Paganism, although no altars be erected to Apollo, and
no Mysteries be celebrated in honour of Isis.[61]
The pure symbolism of Nature, and the whole circle of the primitive
symbolical ideas of the Egyptians, several of the Greek writers
attempted to gather out of the mass of idolatrous tenets, natural
emblems, and hieroglyphic signs of speech; but their researches do not
correspond to the importance of the subject itself, nor to the present
demands of science. It is well worthy of remark that the hieroglyphics,
as far as they have yet been deciphered, do not indicate in their
formation that variety of epochs observable in the Chinese system of
writing; but on the contrary they seem to be all of a single cast, and
offer the same circle of ideas and the same style of emblems. And as
images of Gods are to be found in a diminutive form among the other
hieroglyphic signs, we may conclude from this circumstance, that all the
hieroglyphics must have had a simultaneous origin, and have remained
subsequently unchanged; and that their origin must have occurred at a
time when the Egyptian idolatry had already been wrought into a perfect
system.
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