The Philosophy of History, Vol. 1 of 2Schlegel, Friedrich von
Philosophy
The Philosophy of History, Vol. 1 of 2
Schlegel, Friedrich von
History; History -- Philosophy
The music, which is attributed to those primitive ages, consisted
probably rather in a medicinal or even magical use of that art, than in
the beautiful system of later melody. Among the various works and
instruments of smith-craft, and productions of art which the knowledge
of mines and metals led to, the momentous discovery of the sword is
particularly mentioned: by the brief enigmatic words which relate this
discovery, it is difficult to know whether we are to understand them as
the expression of a spirit of warlike enthusiasm, or of a renewed curse
and dire wailing over all the succeeding centuries of hereditary murder,
and progressive evil, under the divine permission. In all probability,
these words refer to the origin of human sacrifices, emanating as they
did from an infernal design, which we must consider as one of the
strongest characteristics of this race; and those bloody sacrifices of
the primitive world seem to have stamped on the rites and customs, as
well as on the traditions and sentiments, of many nations a peculiar
character of gloom and sadness. From this race were descended not only
the inhabitants of cities, but nomade tribes, whereof many led, several
thousand years ago, the same wandering life which they follow at the
present day in the central parts of Eastern Asia; where vast remains of
primitive mining operations are frequently found.
It is worthy of remark that, among one of these nations, the Ishudes,
who inhabit a metallic mountain, we find, if we may so speak, an
inverted history of Cain; mention is made of the enmity between the
first two brothers of mankind, but all the circumstances are set forth
in a party-spirit favourable to Cain. It is said that the elder brother
acquired wealth by gold and silver mines, but that the younger, becoming
envious, drove him away, and forced him to take refuge in the East.[40]
So is the race of Cain and Cain's sons represented from its origin, as
one attached to the arts, versed in the use of metals, disinclined to
peace, and addicted to habits of warfare and violence, as again at a
later period, it appears in scripture as a haughty and wicked race of
giants.
Public-domain text, read in full here on John Shaqi.
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