Few people pity the circus people when they are in hard luck. So long as they can amuse and entertain they are applauded, but when they fail to do this, people turn from them as they would from a bundle of old clothes, forgetting that heartaches and sorrows and disappointments sink as deep into their hearts as they do into the hearts of the unsuccessful people in any other calling or profession. Dyke Dingleman had been a successful clown and funny man for ten years. The audience had fairly whooped and yelled at some of his funny sayings and antics, and the managers paid his salary cheerfully and praised him for his successful work. But one night in a large city he failed to win a smile from the large audience. He went through his stunts in such a stiff and listless way that nobody could see any fun in him or his bad attempts at humor. After the show was out the senior proprietor of the show scolded him for his poor playing and threatened to discharge him if it ever occurred again. He said nothing, but pulled a telegram from his pocket and handed it to the proprietor. It read: “Bessie is dying—can’t you come home?—Edith.” “Why didn’t you tell me you had trouble, Dyke? Forgive me for what I have said to you. Go home to your wife and dying child at once. Billings can take your place until you join us again.” Dyke didn’t seem like his old self after Bessie died. He joined the show at Lima, Ohio, but he was no good as a clown. All the fun had gone out of his soul, and the audience hissed him. The people did not understand. He had to give up the situation and take the part of assistant, and wear a red coat. Carrying mats and other fixtures into the ring was very humiliating, and the wages were very low for such work. He couldn’t support his wife on the salary, and she went home to her folks and refused to write to him. She thought there was a chance to please his other women, or for booze. One day the man who gave the outside entertainment was ill, and the proprietor wanted a substitute. Dyke used to perform on the tight rope, and he thought here was a chance to please his employer. He felt that he could do the clown stunts again, if he had another trial. Sorrow had sweetened his bitter life, and he thought he knew better what genuine humor should be than ever before. He would perform the old stunts on the high rope in a more ridiculous manner than any man dared. It was all pantomime, and he need not use his broken voice at all.