The subjectivism which we have sketched above is the result of the elaboration of certain facts by thought. Thus, it takes for granted that, from given facts as starting-point, we can by consistent thinking, i.e., by logical combination of certain observations, gain correct conclusions. But our right thus to employ our thinking remains unexamined. There, precisely, lies the weakness of this method. Whereas Naïve Realism starts from the unexamined assumption that the contents of our perceptual experience have objective reality, the Idealism just described starts from the no less unexamined conviction that by the use of thought we can reach conclusions which are scientifically valid. In contrast to Naïve Realism, we may call this point of view "Naïve Rationalism." In order to justify this term, it may be well to insert here a brief comment on the concept of the "Naïve." A. Döring, in his essay Über den Begriff des Naiven Realismus, [46] attempts a more precise determination of this concept. He says, "The concept of the Naïve marks as it were the zero-point on the scale of our reflection upon our own activity. In content the Naïve may well coincide with the True, for, although the Naïve is unreflecting and, therefore, uncritical or a-critical, yet this lack of reflection and criticism excludes only the objective assurance of truth. It implies the possibility and the danger of error, but it does not imply the necessity of error. There are naïve modes of feeling and willing as there are naïve modes of apprehending and thinking, in the widest sense of the latter term. Further, there are naïve modes of expressing these inward states in contrast with their repression or modification through consideration for others and through reflection. Naïve activity is not influenced, at least not consciously, by tradition, education, or imposed rule. It is in all spheres (as its root nativus, brings out), unconscious, impulsive, instinctive, dæmonic activity." Starting from this account, we will try to determine the concept of the Naïve still more precisely. In every activity we may consider two aspects--the activity itself and our consciousness of its conformity to a law. We may be wholly absorbed in the former, without caring at all for the latter. The artist is in this position, who does not know in reflective form the laws of his creative activity but yet practises these laws by feeling and sense. We call him "naïve." But there is a kind of self-observation which inquires into the laws of one's own activity and which replaces the naïve attitude, just described, by the consciousness of knowing exactly the scope and justification of all one does. This we will call "critical." This account seems to us best to hit off the meaning of this concept which, more or less clearly understood, has since Kant acquired citizen-rights in the world of philosophy. Critical reflection is, thus, the opposite of naïve consciousness.