'While I may scape,
I _will preserve myself_: and am bethought
To take _the basest_ and _most poorest shape_,
That ever _penury_, in _contempt_ of MAN,
_Brought near to beast_: my face I'll grime with filth;
Blanket my loins; elf all my hair in knots;
And with presented nakedness outface
The winds, and _persecutions of the sky_.
The _country gives_ me PROOF and PRECEDENT
Of Bedlam beggars, who, with roaring voices,
_Strike_ in _their numb'd and mortified bare arms,
Pins, wooden pricks, nails, sprigs of rosemary_;
And with this horrible object, from low farms,
Poor pelting villages, sheep-cotes and mills,
_Sometime with lunatic bans_, sometime with prayers,
Enforce their charity.--'Poor Turlygood!' 'poor Tom!'
_Thats something yet, Edgar I nothing am_.
But the poet is not contented with the minuteness of this description.
This character appears to have taken his eye as completely as it takes
King Lear's, the moment that _he_ gets a glimpse of him; and the poet
betrays throughout that same philosophical interest in the study,
which the monarch expresses so boldly; for beside the dramatic
exhibition, and the philosophical review of him, which King Lear
institutes, here is an autographical sketch of him, and of his mode of
living--
'_What_ are you there? Your _names_?'
cries Gloster, when he comes to the heath, with his torch, to seek out
the king and his party; whereupon Tom, thinking that an occasion has
now arrived for defining his social outline, takes it upon him to
answer, for his part--
'Poor Tom; that eats the swimming frog, the toad, the tadpole, the
wall-newt, and the water-[newt]; that in the fury of his heart, when
the _foul fiend rages_, swallows the old rat, and the ditch-dog;
drinks the green mantle of the standing pool; _who is whipped_ from
_tything_ to _tything_' [this is an Anglo-Saxon institution one sees];
'and stocked, punished, and imprisoned; who _hath had_ three suits to
his back' [fallen fortunes here, too] 'six shirts to his body, horse
to ride, and weapon to wear.'
Public-domain text, read in full here on John Shaqi.
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