The Philosophy of the Practical: Economic and EthicCroce, Benedetto
Philosophy
The Philosophy of the Practical: Economic and Ethic
Croce, Benedetto
Economics; Ethics; Will
But the unjustified transportation of the concept of mystery from
history, where it indicates the future that the past prepares and does
not know, into philosophy, causes to be posited as mysteries which
give rise to probabilities and conjectures, problems that consist of
philosophical terms, and should therefore be philosophically solved.
But if the infinite progress and the infinite perfectibility of man
is to be affirmed, although we do not know the concrete forms that
progress and perfectibility will assume (not knowing them, because now
it imports not to _know,_ but to _do_ them), then there is no meaning
in positing as a mystery the immortality of the individual soul, or the
existence of God; for these are not _facts_ that may or may not happen
sooner or later, but _concepts_ that must be proved to be in themselves
thinkable and not contradictory, or to determine in what form they are
thinkable and not contradictory. Their thinkability will indeed be
a mystery, but of the kind that it is a duty to make clear, because
synonymous with obscurity or mental confusion. What has so far been
demonstrated has been their unthinkability in the traditional form.
Nor is it true that they correspond to profound demands of the human
soul. Man does not seek a God external to himself and almost a despot,
who commands and benefits him capriciously; nor does he aspire to an
immortality of insipid ease: but he seeks for that God which he has in
himself, and aspires to that activity, which is both Life and Death.
VI
TWO ELUCIDATIONS RELATING TO HISTORIC AND ÆSTHETIC
[Sidenote: _The relation of desires and actions; and two problems of
Historic and of Æsthetic._]
From the consideration of the practical activity in its dialectic, and
in particular from the theory relating to desire and to action, shines
forth, if we mistake not, the full light that has hitherto perhaps been
invoked in vain upon certain capital points of Historic and Æsthetic,
which, when treating of those disciplines, we were obliged either
hardly to touch upon, or to develop in a manner altogether inadequate.
The reason of this was that an adequate development, to be convincing,
demanded as presupposition, a minute exposition as to the nature, the
relations and the constitution of the practical activity, all of them
things that could not be treated incidentally.
[Sidenote: _History and art._]
Public-domain text, read in full here on John Shaqi.
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