Pure intuition, ingenuous representation of reality, representation of feeling, lyricism and personal intonation, are then all equivalent formulæ, all of them definitions of the æsthetic activity and of art. And it would be superfluous to repeat that art thus characterized remains the concrete form of the superior theoretical grades of the spirit. In fact, logical thought or concept is also volition, owing to the unity of the spirit, and the representation of such volition is the logos made flesh, the concept that incorporates itself in language, palpitating with the drama of its becoming. What word of man is there that is not personally and lyrically coloured, whether he communicate the truth of science or narrate the incidents of life? And how could we deny a place among the dramas that agitate human life and art portrays, to that drama of dramas, which is the drama of thought and of the historical comprehension of the real? [1] B. Croce, _Relazioni dei patrioti napoletani col Direttorio e col Consolato e l' idea dell' unità italiana,_ Napoli, 1902, pp. 69-73. VII HISTORICAL ANNOTATIONS [Sidenote: _The problem of freedom._] I. For the reasons stated in their place, a history of the concept of freedom would end by becoming almost a general history of philosophy. Denied in different ways in the mechanistic and deterministic conceptions (from the Stoics to Spinoza), and in the theological and arbitraristic (from Epicurus to St. Augustine and the mystics), that concept afterwards continually assumed a more and more conciliatory form; an indication that the question must be put in an altogether different way. This movement culminated in the Kantian theory, in which freedom, defended against the psychologists, is withdrawn from natural causality and affirmed _a priori,_ as causality by means of freedom; but, at the same time, Kant did not succeed in fully justifying it, owing to his failure in the solution of the antitheses, the defect of the Kantian philosophy, which never really became a system. The embarrassments and absurdities to which the unsolved antithesis between liberty and causality gives rise, are sufficiently exemplified in a proposition to be found in the _Critique of Practical Reason_: "It would be possible to foresee what man will do in the future, if we possessed all the facts; yet he would be perfectly free."[1] But notwithstanding these contradictions and embarrassments, the energetic affirmation of the principle of freedom by Kant (which had an altogether special certitude in Kant, in respect to the other two postulates of the practical reason, God and immortality, from which in this respect it was distinguished) helped to make prevalent the conviction of the impossibility of eliminating that concept or of escaping from it, and made of it the field of battle, where the fortunes of philosophy were decided. The problem of the freedom of willing is really solved or near to a solution, in those philosophies