How Maidslow was to cash the check was now the question. It was easily solved, at a meeting of the three principals in the plot, by the decision that old Dietrich, the proprietor of the Biograph Theatre, could identify the payee. He would undoubtedly believe Maxie’s introduction of Maidslow as her husband, as this time, at least, she would be speaking the truth. They left Admeh Drake on the sidewalk while they proceeded to this next step. The old Dutchman was canny, however. “How do I know dat dis man is your huspant?” he said. “You say so, Maxie, put I neffer seen him pefore! See here, didn’t you say Harry Maidslow hat a tattoo mark on his arm alretty? He hat a girl’s name ’Dotty,’ you tole me once. Lemme see dat mark, and I vill itentify him, sure! Den I know it’s all right!” This was easily proved. Maidslow stripped up his sleeve and exhibited the tattoo mark, and old Dietrich was convinced. He put on his hat to accompany them to the bank. Excusing himself for a moment, Maidslow slipped out and spoke to Admeh Drake. “It’s all right, Drake, we’re going right down to cash the check. You get away before Dietrich sees you and gets suspicious, and I’ll meet you with the thousand dollars at Lotta’s Fountain in half an hour!” Drake walked down Market Street. In a few minutes he saw Maxie, Maidslow, and the old Dutchman approaching. He kept out of sight while they passed him, on their way to Montgomery Street, where the bank was located. Then he commenced his vigil at Lotta’s Fountain. This is the very hub and centre of San Francisco, in the heart of the shopping district, and the strategic point for confidence men, tourists, loiterers, and sports. The three great newspaper buildings form here a towering group against the sky, and the Palace Hotel, a massive block honeycombed with windows, is within a stone’s throw. About him eddied the principal currents of the town, carrying their heterogeneous collection of humanity. The fountain is an island in the triangular opening formed by the union of Geary, Kearney, and Market streets, and each of these important thoroughfares contributed to the liveliness of the place. Groups of brightly gowned women were awaiting the cable cars to take them to the Oakland Ferry, cheap actors promenaded up the Rialto of Market Street, the Geary Street cars swung on the turn-table, impeding the traffic, and along the sidewalk on Kearney Street the flower-venders made a vivid splotch of color. The whole place was alive and bustling, and time went fast with the watcher at the gilded fountain where no one drank.