I took a room down on Third Street, near Minna, and for three weeks I
was mighty careful where I went, waiting for the deputy to leave town. I
got a few jobs of nursing, so I paid my way for a spell; then I just
couldn’t stand it a day more, and I risked getting word to Daddy. So I
put another personal in the paper, telling him, the same way as before,
to meet me at the old Globe Hotel in Chinatown next night. You know the
old Globe used to be right smart of a hotel in early days, but now there
are hundreds of Chinamen living in it. It’s like an ant-hill, full of
all sorts of ways and corners to get out.
I waited on the steps, keeping a sharp eye out for Daddy. But I hadn’t
been there more than ten minutes before I saw—not my dear old Dodo—but
the detective who had followed me all the way West. I ran down the steps
and walked up Dupont Street as fast as I dared, never looking round once
nor letting on I had seen him.
When I got to the corner of Washington Street, only a matter of a block
away, I ran smack into a man. He grabbed me in his arms, and was crying
over me before I recognised him by his voice as Daddy, for he had a
light wig and a dyed mustache, and wore blue spectacles. I had no time
to kiss him even. I just whispered to him, “The detective—run for your
life!”
Daddy gave one glance over his shoulder, and ran up Washington Street.
The detective saw him go, and dashed after him, and I followed them
both. They turned up a flight of steps into a big doorway, a little
piece up the block.
I saw by the sign over the door that it was a Chinese theatre they had
gone into.
But I just had to find out what was going on inside, so I paid the man
at the door fifty cents and went up the stairs. I had never been in such
a place before, of course, and at first I had no idea what to do or
where to go. There was no sign of Daddy or the detective anywhere, and
the place was filled with a great crowd of Chinamen on the seats. The
only white people I saw were a lady and two men sitting up on one side
of the open stage. I was bewildered and frightened to death, for there
was a horrible noise of big gongs and squeaking fiddles, and actors in
queer costumes singing and talking in shrill voices.
A Chinaman came down the crowded aisle and took me up to a seat beside
the tourists on the stage, and there I had to sit in front of that crowd
of coolies while the play went on and on and on. I have seen Chinese
plays enough since, but then it was all new and terrible, for the
orchestra was right near me, making such a noise that I thought I’d go
mad, and the actors kept coming in and going out past me reciting in a
sing-song. I wanted to scream.
Away up over the stage was a break in the wall where the ceiling went up
higher, and there was a little window almost above my head. There, once
I saw a head stuck out and a Chinaman looked at me, long and hard. This
made me more frightened than ever.
Public-domain text, read in full here on John Shaqi.
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