There was a man used to hang about the Star Variety Theatre in Los
Angeles, who did small parts sometimes, when they wanted a policeman in
a sketch, or things like that, but he mostly helped with the
scene-shifters. I never had more than a few words with him, but he kind
of took a fancy to me, and he used to bring me candy and leave it behind
the flats where the others wouldn’t see it. I don’t believe, now, he
ever cared so very much for me, but I was silly and had never had any
attention, and I thought he was in love with me, and I imagined I was
with him. He tried to make up to Max, but the old man wouldn’t have
anything to do with him.
One day, when all my people were out and had locked me in the house,
with a lot of dishes to wash, Harry—his name was Harry Maidslow—came
down the street and saw me at the kitchen window. I raised the sash when
he came into the yard, and without waiting for much talk first, for we
were both afraid the old man would be coming back and would catch us,
Harry asked me if I didn’t want to leave the show, and if I wouldn’t run
away with him.
I believe I told him I’d run away with an orangoutang if I got the
chance. Remember, I was only seventeen, and I had never been alone with
a man in my life before. In my life—if you call such slavery as that,
living! So he told me not to appear to notice him, but to be all ready
for him and to watch out, and when I heard a certain whistle he taught
me, wherever I was, to jump and run for him, and he’d do the rest.
You can imagine if I wasn’t excited for the next few days! I would have
jumped off the roof to get to him, if necessary, and I just waited from
hour to hour, expecting to hear his call every minute. I didn’t hardly
dare to go to sleep at night for fear I’d miss him, and I was listening
everywhere I went, meals and all. I think I trembled for three days. It
seemed impossible that he’d be able to get me away; it was too good to
come true. But I had nothing else in the world to look forward to, and I
hoped and prayed for that whistle with all my might.
One night at the theatre, after my company had done the first part of
their bell-ringing, I went on for my song. I remember it was that purple
silk frock I wore, the one with the gold fringe, and red stockings with
bows at the knees. Well, the orchestra had just struck up my air—
“Ain’t I the cheese? Ain’t I the cheese?
Dancing the serpentine under the trees!”
Public-domain text, read in full here on John Shaqi.
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