There, in faded colours, was a tattooed design on the white skin. Admeh
made out the word “Dotty,” framed in a border of twisted snakes. His
quest was done. Faint, weary, languid, he prepared to get away before
his assault was discovered. The door opened; some one caught Admeh by
the arm. With no more fight in him, he raised himself to one knee and
recognised the attendant, the sight of whom had before so nearly sobered
his drunken opponent.
“What the devil——” said the new-comer, and stopped as his eye caught
that mark on the arm. Then he bent down, passed his finger over the
design, studied it, and peered into the white, senseless face behind the
yellow beard.
“My work—it is the very man!” he exclaimed, in tones of the greatest
interest. Turning to Admeh he asked:
“Now why did _you_ want to know about that mark, and what were you
scrapping for?”
“What do you know about him?” retorted Admeh.
“Story for story,” said the attendant.
“Story for story, swapped sight unseen,” agreed Admeh. “But let’s get
him out of here first, because he’s in a pretty bad fix between his
fight and his jag.” Together they carried him to a dressing-room, laid
him on a bench, and closed the curtain. Here Admeh’s last spark of
strength left him; he collapsed in a heap on the floor. With practised
hands the attendant set about reviving them both. In ten minutes the man
of mystery slept heavily, stupidly, on the bench, and Admeh was sitting
against the wall breathing cool relief from the outer air. Briefly, he
told of his singular errand, omitting, from some hazy idea of policy,
the item about the legacy.
“Well,” said the rubber, after Admeh Drake had finished his tale, “your
yarn certainly is curious, but I can beat it. What d’you think of
this?—I tattooed that name and mark on this fellow’s arm, and I know the
history of it, but he has no idea to this day how it ever come there,
nor who ’Dotty’ is, nor why I did it, nor anything at all about it. He
was the hero of as queer a yarn as I ever heard, and he knew no more
about it all the time than a babe unborn!”
He rang an electric bell; a boy answered.
“Tell the boss to send for the extra man,” he said. “I’m done up for
to-night, and I’m going to lay off for a while.”
So saying, he took Drake into an adjoining room, shared by the employees
of the baths, and, after making himself comfortable on a lounge with a
blanket wrapper, he told the following joyous romance:
THE STORY OF THE DERMOGRAPH ARTIST
Public-domain text, read in full here on John Shaqi.
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