"Very good! now, do you know what I think as I look at you? I say to
myself: 'Here is a young man who has come much in contact with the minds
of other men, who has very quickly thrown off the fetters of his class,
who does not choose to share the sufferings of his native country, the
labors of his kinsmen. He will succeed; he is a handsome youth, keener
and more logical in his ideas and his words at eighteen than I was at
thirty. He knows a multitude of things which had seemed useless to me
and which I did not even suspect, until the leisure of the cloister
enabled me to educate myself a little. He stands there, smiling at my
enthusiasm, and, mounted on his sound sense, his premature experience,
his knowledge of men, and his profound study of the science of personal
interest, looks upon me in his mind as a teacher looks upon his pupil.
He is the mature man; and I, an old brigand and old monk, am the
fearless youth, the blind and artless child! Strange transposition! He
represents the new generation, all for gold and glory; and I the dust of
ruins, the silence of the tomb!'
"Very good! but let the tocsin sound, let the volcano rumble, let the
people roar, let that black point which we see in the roadstead, and
which is the ship of State, bristle with guns to destroy the city at the
first breath of aspiration toward liberty; let the brigands come down
from the mountains, let the flames soar aloft to the clouds; and in that
last convulsion of the dying fatherland, the young artist will take his
brushes, he will go and take his seat upon a hill, out of all danger,
and he will paint a picture, saying to himself: 'What an unfortunate
people, and what a magnificent spectacle! I must hasten to put it on
canvas! in an instant this people will have ceased to exist, its last
hour is striking!'
"Whereas the old monk will take his gun, which is not yet rusty; he will
turn his sleeves back to the shoulder, and without stopping to ask
himself what will be the result of it all, he will rush into the
scrimmage and will fight for his countrymen until his crushed and
trampled body no longer resembles a human being. And I would rather die
so, boy, than survive, as you will do, the destruction of my race!"
"My father! my father! do not believe it," cried Michel, conquered and
carried off his feet by the Capuchin's exaltation. "I am not a coward!
and if my Sicilian blood flowed sluggishly on foreign soil, it is
quickened by the fiery breath which your breast exhales. Do not crush me
beneath that terrible malediction! Take me in your arms and set me on
fire with your flames. With you I feel really alive, and this new life
intoxicates and enraptures me!"
"Good! here is an honest impulse at last!" said the monk, embracing him.
"I like this better than the fine theories concerning art which you have
persuaded your father to respect blindly."
Public-domain text, read in full here on John Shaqi.
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