In respect to youthful charm and mere physical beauty, Mila far surpassed Agatha; but Agatha was a princess, and the instinct of vanity was strong in the bastard of Castro-Reale. She was supposed never to have had a lover, she seemed prudent and strong. She had had twenty years or more to practise self-defence and to repel the assaults of the passions she had inspired; for she was at least thirty years old, and in the fiery climate of Sicily, where plants mature in less time than they require in France to put forth buds, a girl of ten is almost a woman. It was, therefore, a most glorious conquest to dream about, and for that reason most intoxicating. But there was also the fear of failure, and Carmelo thought that in that case he should die of shame and rage. He had never known pain; it was a word almost devoid of meaning to him until that moment. He was beginning to discover that one can suffer for other causes than anger and ennui. As he lay awake, he watched Michel without his knowledge. He saw him sit down at his table and take his head in his hands, in an attitude of the most complete discouragement. Michel was profoundly depressed. All his dreams had vanished like smoke. His situation seemed to him sufficiently elucidated by the conversation he had had with the bandit as they returned from the villa. To test him, the Piccinino had repeated Abbé Ninfo's calumnies, pretending to believe them and generously to take Michel's part. The young painter's noble and upright heart had rebelled against a suspicion which assailed the princess's dignity; his denials and his manner of describing his first interview with her in the ball-room had corresponded so closely with the way in which the princess herself had represented the facts to the bandit, that the latter, after a more searching and subtle examination than that of an inquisitor, had ended by becoming convinced that there was nothing criminal in the princess's relations with the artist.