"Happy heedlessness of truly popular natures!" said Michel to himself,
as he leaned on his window-sill, half-dressed. "One would say that
nothing unusual was taking place in my family, that we were not
surrounded by enemies and snares; that my sister slept as usual last
night, that she knows nothing of love without hope, of the danger of
being beautiful and poor in view of the schemes of vicious minds, and of
the other danger that she may be deprived at any moment of her natural
protectors. My father, who must know everything, acts as if he suspected
nothing. In this wretched climate everything is forgotten or takes on an
entirely different aspect in the twinkling of an eye. The volcano,
tyranny, persecution--nothing interrupts the songs and laughter. At
noon, overwhelmed by the heat, they all sleep and seem like corpses. The
cool evening air revives them like vigorous plants. Terror and rashness,
grief and joy, succeed one another with them like the waves on the
shore. Let one of the chords of the heart be relaxed, and twenty others
wake to new life, just as the taking of a flower from a glass of water
causes a whole bouquet to appear there! I alone, amid these
incomprehensible transformations, am always on the alert, but always
serious; my thoughts are always lucid, but always gloomy. Ah! would that
I had remained the child of my caste and the man of my native land!"
XXXII
THE ESCALADE
The group of houses of which Michel's formed a part was shabby and ugly
in reality, but exceedingly picturesque. Built upon blocks of lava, and
in part constructed of the same lava, those rough structures bore traces
of the last earthquakes which had overturned them. The lower floors,
which were bolted to the solid rock, retained an unmistakable flavor of
antiquity; and the upper portions, erected in haste after the disaster,
or already shaken by later shocks, even now had a decrepit look: huge
cracks, roofs with a threatening pitch, and dangerous staircases, the
rails of which were all awry. Wild vines inextricably tangled about the
ragged protuberances of cornices and awnings, prickly aloes, crushing by
their weight the old terra-cotta urns, and encroaching with their rough
branches upon the little terraces which hovered in the most insane way
upon the highest points of those tumble-down buildings; white linen, or
garments of gaudy hue hanging from all the windows, or flying about like
banners on lines stretched from house to house: all this formed a
strange, bold picture. One could see children playing and women working
almost among the clouds, on narrow platforms surrounded by pigeons and
swallows, and barely protected, away up there in space, by a few black,
worm-eaten rails, which it seemed that the first gust of wind would blow
away. The slightest change of level in that volcanic soil, the slightest
convulsion in that gorgeous but ill-omened landscape, and the torpid or
reckless occupants of those houses would be engulfed in a raging hell,
Public-domain text, read in full here on John Shaqi.
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