Magnani tried to be playful, and imagined that he was very much relieved
to find that he was not called upon to defend himself against Mila's
love; but it saddened him to hear the girl declare her affection for
another, and his candid face expressed, despite his efforts, a painful
disappointment. Had she not previously confessed it to him during their
long vigil, and had she not by that confidence invested him in a certain
sense with the duties of a brother? He was determined to execute
worthily that sacred mission; but how did it happen that a moment before
it had startled him to see her in anger, and why had his heart,
nourished so long upon an insane and bitter passion, felt suddenly
revivified and rejuvenated by the unexpected presence of this child who
had entered through his window like a sunbeam?
Mila was stealthily watching him. She saw that she had struck home. "O
untamed heart," she said to herself, with silent but intense joy, "I
have you now; you shall not escape me."
"My dear neighbor," said the artful minx, "pray do not be offended at
what I have just told you, and do not look upon it as an affront to your
merit. I know that any other than myself would be flattered to be
compromised by you, with the hope of becoming your wife; but I am
neither a liar nor a flirt. I am in love, and, as I have confidence in
you, I tell you of it. I know that it cannot cause you any pain, since
you have given up all thought of marriage, and since you detest all
women, except a single one who is not myself."
Magnani made no reply. The cobbler was still singing. "It is my fate,"
thought Magnani, "not to be loved by any woman and never to be cured of
my love."
Mila, inspired by that species of divination which love gives to women,
even to those who have had no experience and have read but little, said
to herself--and justly--that Magnani, being stimulated in his passion by
suffering and absence of hope, would be alarmed and repelled at the idea
of love being offered to him unasked--a too-ready, alluring love;
consequently she represented herself as invulnerable and protected
against him by another attachment. In that way she lured him by making
him suffer, and that was, in truth, the only way in which he could be
lured. By changing the form of his torture, she paved the way for his
cure.
"Mila," he said to her at last, pointing to a heavy ring of chased gold
which he wore on his finger, and which she had already noticed, "can you
tell me the source of this beautiful present?"
Public-domain text, read in full here on John Shaqi.
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