Magnani hurried away, and Michel returned to the ball. The confession of
his young companion, that he was beset by an insane love for a great
lady, had reawakened in him an emotion which he thought that he had
conquered. He hovered about the dancers, trying to divert his thoughts,
for he felt that his folly was as dangerous for the moment as Magnani's.
Many years must pass before he could consider that his genius had placed
him on the level of the most exalted social ranks; so that he derived an
agonizing sort of amusement from watching the youngest of the dancers
and dreamily seeking among them one whom he might some day gaze upon
with eyes inflamed with love and presumption. Probably he did not
discover her, for he transferred his fancy from one to another, and, as
one risks nothing by being hard to please in that variety of castles in
Spain, he continued to seek, and to discuss with himself the comparative
merits of those youthful beauties.
But in the midst of these aberrations of his brain he suddenly saw the
Princess of Palmarosa pass. He had been careful hitherto to remain at
some distance from the dancing groups, and to keep well out of sight
behind the benches of the amphitheatre; now he involuntarily approached;
and, although the crowd was not dense enough to justify or conceal his
presence, he walked on until he was almost in the front row, among
persons each nobler and richer than his neighbor. This time his
instinctive pride did not warn him of the perils of his situation. An
invincible magnet drew him on and detained him: the princess was
dancing.
Doubtless it was for form's sake, to satisfy the proprieties, or from
good nature, for she simply walked, and did not seem to take the
slightest pleasure in it. But she walked better than the others danced,
and, without a thought of striving to be graceful, she displayed every
variety of grace. That woman really possessed an extraordinary charm
which penetrated like a subtle perfume, and finally dominated or effaced
everything about her. One would have said that she was a queen in the
midst of her court, in some kingdom where moral and physical perfection
reigned.
It was the chastity of the celestial virgins with their omnipotent
serenity--a pallor in nowise extreme or sickly--which denoted the
absence of intense emotions. People said that the secret of that
mysterious life was either systematic abstinence from excitement or
extraordinary indifference. And yet her appearance was not that of a
lifeless statue. Kindness of heart lent animation to her somewhat
absent-minded glance and gave an indescribable sweetness to her faint
smile.
Public-domain text, read in full here on John Shaqi.
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