"Well, why should I not admit it?" rejoined the young mechanic, in a
profoundly sorrowful tone; "it may be that I shall soon repent of having
confided to a child whom I hardly know a secret which I have never
allowed those who should be my best friends to suspect. There must be
some fateful reason for this longing to unbosom myself which has
suddenly drawn me toward you. Perhaps it is the late hour, the fatigue,
the excitement caused by the music and lights and perfumes; I do not
know. Perhaps, rather, it is because I feel that you are the only person
here who is capable of understanding me, and that you are mad enough
yourself not to be too severe upon my madness. Well, yes, I love her! I
fear her, I hate her, and I adore her all at once--that woman who is
unlike all other women, whom no one knows, and whom I do not know
myself."
"I certainly shall not laugh at you, Magnani; I pity you, I understand
you and I love you, because I think that I can detect a certain
similarity between you and me. I, too, am excited by the perfumes, the
intense brilliancy of that ball, and the noisy dance-music, in which my
imagination detects such an undertone of gloom and melancholy through
its false liveliness. I, too, feel over-excited and a little mad at this
moment. I fancy that there is some deep mystery in our sympathetic
feeling for each other."
"Because we both love her!" cried Magnani, beside himself. "Why, Michel,
I guessed it from the first glance you bestowed upon her; you, too, love
her! But you are loved by her, or will be, and she will never love me!"
"Loved, I shall be loved, or am already! What are you saying, Magnani?
you are raving!"
"Listen to me; I must tell you how this disease took possession of me,
and perhaps you will understand what is taking place in yourself. Five
years ago my mother was ill. The doctor who attended her, for charity's
sake, had almost given her up; her case seemed hopeless. I was sitting
with my face in my hands, weeping bitterly, at the gate of our little
garden, which opens on a street which is almost always deserted, and
which ends in the fields on the outskirts of the town. A woman wrapped
in a cloak passed the gate and stopped: 'Young man,' she said, 'why do
you grieve so? what can I do to lighten your sorrow?'--It was almost
dark and her face was hidden; I could not see her features, and her
voice, which was extremely sweet, was unfamiliar to me. But her
pronunciation and her manner convinced me that she did not belong to our
class.
"'Signora,' I replied, rising, 'my poor mother is dying. I ought to be
with her, but, as she is fully conscious and I have reached the end of
my courage, I came outside to weep, so that she should not hear me. I am
going back to her, for it is cowardly to weep like this.'
"'Yes,' she said, 'we must have enough courage to lend some to those who
are struggling in the death agony. Go back to your mother; but tell me
first if all hope is lost? has she no doctor?'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account