The Piccinino, Volume 2 (of 2); The last of AldinisSand, George
General
The Piccinino, Volume 2 (of 2); The last of Aldinis
Sand, George
French fiction -- Translations into English
So I ventured into the shady avenue, walking rapidly, and was just about
to overtake the solitary promenader, when I saw coming toward her a
young man dressed in the latest fashion, and with a pretty, insipid
face, who caught sight of me before I had time to jump in among the
trees. I was within three yards of the noble pair. The young man stopped
beside the lady, offered her his arm, and said to her, glancing at me
with the most surprised air of which a perfectly attired man is capable:
"My dear cousin, who is this man who is following you?"
The lady turned, and the sight of her gave me such a shock that for a
moment I was in danger of a relapse. My heart gave a sharp, nervous
throb as I recognized the young woman who stared at me in such a curious
way from her proscenium box at the time I was taken ill at Naples. Her
face flushed slightly, then lost its color. But no gesture, no
exclamation betrayed either surprise or anger. She eyed me from head to
foot with calm disdain, and replied with incredible audacity:
"I don't know him."
That extraordinary statement aroused my curiosity. It seemed to me that
I could detect in that girl such consummate dissimulation and such a
strange sort of pride that I suddenly felt irresistibly impelled to take
the risk of a mad adventure. We Bohemians do not allow ourselves to be
awed overmuch by the customs of society and the laws of propriety; we
have no great fear of being ejected from those private theatres where
society takes its turn at posing before us, and where we feel so
strongly the superiority of the artist; for there no one can arouse in
us the intense emotions which we have the art of arousing. Salons bore
us to death and chill our blood, in return for the warmth and life that
we carry thither. So I approached my noble hosts with a dignified air,
caring very little about the manner of their reception of me, and
determined to take the first convenient pretext for obtaining admission
to the house.
I bowed gravely and represented myself as a piano-tuner who had been
sent for to Florence from a country-house, the name of which I pretended
to remember imperfectly.
"This is not the place. You may quit this place," replied the signora,
coldly. But, like a true fiancé, the cousin came to my assistance.
"My dear cousin," he said, "your piano is terribly out of tune; if this
man could spare an hour, we might have some music this evening. I beg
you to let him tune it, won't you?"
The young Grimani had a wicked smile on her lips as she replied:
"As you please, cousin."
"Does she propose to amuse herself at my expense or his?" I thought.
"Perhaps both."
I bowed slightly to signify my consent. Thereupon the cousin, with
careless courtesy, pointed out to me a glass door at the end of the
avenue, where the branches, drooping lower and lower until they formed a
sort of arbor, concealed the front of the villa.
Public-domain text, read in full here on John Shaqi.
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