The Pictorial Field-Book of the Revolution, Vol. 2 (of 2): or, Illustrations, by Pen And Pencil, of the History, Biography, Scenery, Relics, and Traditions of the War for IndependenceLossing, Benson John
History
The Pictorial Field-Book of the Revolution, Vol. 2 (of 2): or, Illustrations, by Pen And Pencil, of the History, Biography, Scenery, Relics, and Traditions of the War for Independence
Lossing, Benson John
United States -- History -- Revolution, 1775-1783
On Monday morning I visited [[November 27, 1848]]Carpenters' Hall, the
building in which the first Continental Congress held its brief session.
Having had no intimation concerning its appearance, condition, and
present use, and informed that it was situated in "Carpenters' Court,"
imagination had invested its exterior with dignity, its interior with
solemn grandeur, and its location a spacious area, where nothing "common
or unclean" was permitted to dwell. How often the hoof of Pegasus
touches the leafless tree-tops of sober prose when his rider supposes
him to be at his highest altitude! How often the rainbow of imagination
fades, and leaves to the eye nothing but the forbidding aspect of a
cloud of plain reality! So at this time. The spacious court was but a
short and narrow
* This building is constructed of small imported bricks, each alternate
one glazed, and darker than the other, giving it a checkered appearance.
Many of the old houses of Philadelphia were built of like materials.
It was originally erected for the hall of meeting for the society of
house-carpenters of Philadelphia. It stands at the end of an alley
leading south from Chestnut Street, between Third and Fourth Streets.
[[[Desecration of Carpenters' Hall.--Congress Hall.--Prevalence of a
Desire for Union.]]]
{264}alley; and the _Hall_, consecrated by the holiest associations
which cluster around the birthtime of our republic, was a small
two-story building, of somber aspect, with a short steeple, and all of a
dingy hue. I tried hard to conceive the apparition upon its front to
be a classic frieze, with rich historic triglyphs; but it would not do.
Vision was too "lynx-eyed," and I could make nothing more poetic of it
than an array of impudent letters spelling the words=
````C. J. WOLBERT & CO., AUCTIONEERS
````FOR THE SALE OF
````Real Estate and Stocks,
````Fancy Goods,
````Horses, Vehicles, and Harness.
[Illustration: 8272]
What a desecration! Covering the façade of the very Temple of Freedom
with the placards of groveling mammon! If sensibility is shocked with
this outward pollution, it is overwhelmed with indignant shame on
entering the hall where that august assembly of men--the godfathers of
our republic--convened to stand as sponsors at the baptism of infant
American Liberty, to find it filled with every species of merchandise,
and the walls which once echoed the eloquent words of Henry, Lee, and
the Adamses, reverberating with the clatter of the auctioneer's voice
and hammer. Is there not patriotism strong enough and bold enough in
Philadelphia to enter this temple and cast out all them that buy and
sell, and overthrow the table of the money-changers?"
Public-domain text, read in full here on John Shaqi.
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