The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
On the Monday of the execution all the workmen in Bury struck work in
order to see the murderer hanged, and persons came from long distances
for the same purpose. One man was pestered by every one he met on his
return by inquiries whether Corder had really been hung that morning.
This was repeated so often that he became quite weary of the constantly
recurring question, 'Is Corder executed?' In the evening, in order to
get rid of the gloomy feelings created by what he had witnessed, he went
to the theatre, where he arrived somewhat late. The play ('Macbeth') had
advanced to the fourth scene of the first act as he seated himself in
the pit. The newcomer, who was better acquainted with the details of the
murder in the Red Barn than with the plays of Shakespeare, was not a
little astonished when King Duncan entered, and, fixing his eye upon
him, repeated what he thought was the same question that had been so
often addressed to him that day, 'Is execution done on Cawdor?'
[Illustration: THE SIAMESE TWINS. FROM THE 'OBSERVER,' NOVEMBER 22,
1829.]
The _Observer_ continued its illustration of events as they occurred,
sharing the engravings with _Bell's Life_ and the _Englishman_. St.
Katharine's Docks were opened on Oct. 25th, 1828, and on the following
day the _Observer_ published a bird's eye view of the docks, showing the
ceremonies attending the opening. In January, 1829, appeared two views
of Buckingham Palace, then building for George IV.; and in August a cut
of the 'Post-Office Accelerator,' a carriage for conveying London
postmen to their several districts. A portrait of Rowton, the winner of
the Great St. Leger for 1829, was given in September. This year the
lovers of wonderful shows were attracted to an exhibition in London of
two Siamese youths who were united together by a short cartilaginous
band at the pit of the stomach, but with no other connexion existing
between them. They were perfectly straight and well made, and walked
with a gait like other people; being perfect in all their parts, and
having all their functions distinct. Their names were Chang and Eng; and
they were first discovered on the banks of the Siam river, fishing, by
Mr. Hunter, an American, by whom they were taken to New York, where they
were exhibited, and were afterwards brought to England. They were
supposed to be about eighteen years old when they were exhibited in
London in 1829. The _Observer_ of November 22, 1829, published a long
account of the Siamese Twins, with a woodcut representing them as they
were exhibited to the public.
Public-domain text, read in full here on John Shaqi.
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