The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
The _Weekly Chronicle_, the first number of which was published
September 18, 1836, started with the idea of illustrating the news of
the day as one of its principal features. The price was threepence, and
with it was incorporated the _Weekly Times_. In the first number the
public were 'requested to be on their guard against the substitution of
any other paper.' This probably had reference to some threatened
rivalship, for exactly a year later appeared _Holt's Weekly Chronicle_,
a paper which also gave illustrations of current events. It published
engravings connected with the rebellion in Canada, and also illustrated
the burning of the Royal Exchange in 1838. It appears to have had only a
brief existence. The first number of the _Weekly Chronicle_ contained an
engraving of 'the new grand Balloon which ascended from Vauxhall Gardens
with nine persons on Friday, September 9th, engraved by W. C. Walker,
from a drawing made by a gentleman who ascended expressly for this
paper.' Number 2 contained a page of comic sketches, apparently by
Seymour, and with the number for October 30, 1836, was presented gratis
an almanack containing a view of the new Houses of Parliament, not quite
as the design was eventually carried out. Very early in its career the
_Weekly Chronicle_ selected the criminal records as favourite subjects
for illustration. Perhaps some memory of the profits realised by the
_Observer_ on the occasion of the Weare murder induced the conductors to
cultivate this class of news. Certainly nothing more repulsive ever
figured in the pages of an illustrated newspaper than some of the
woodcuts published by the _Weekly Chronicle_.
Towards the end of 1836 another attempt was made on the life of the King
of the French, and on January 8, 1837, the _Weekly Chronicle_ published
a portrait of the criminal. A month or two later the public were
enlightened as to the personal appearance of another murderer, one
Pegsworth, who had his portrait taken in Newgate on the morning of his
execution. The annals of crime were varied by the exploits of war, and a
view of the heights of Amelzagame illustrated the career of the Spanish
Legion under the command of General Evans. In the spring of 1837
occurred the Greenacre murder, and the _Weekly Chronicle_ at once went
into the case with an evident determination to do full justice to its
sensational merits. From the first examination of the murderer before
the magistrates to his final exit in the Old Bailey the artists of the
paper were on the alert, pencil in hand. It is a painful fact that the
numbers of the _Weekly Chronicle_ containing the illustrations of the
Greenacre murder had a very large sale. The details of the crime are too
shocking to recapitulate, but I will give a list of the woodcuts
published in connexion with it.
April 2, 1837.--A sketch of Greenacre taken while under examination at
the police-office. Head of the murdered woman as preserved in spirits at
Paddington Workhouse.
Public-domain text, read in full here on John Shaqi.
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