The Pictorial Press: Its Origin and ProgressJackson, Mason
History
The Pictorial Press: Its Origin and Progress
Jackson, Mason
Illustration of books; Newspapers -- Illustrations
Andrews on one occasion desired to have a couple of eggs for
breakfast, but could not make the maid of the inn comprehend his
meaning. He tried all he knew of French, Flemish, and German, but the
girl shook her head. At length a bright idea struck the artist. He drew
from his pocket a pencil and note-book, and sketched a couple of oval
forms, meaning them for eggs, and explained by gestures that _that_ was
what he wanted. The girl's face brightened at once when she saw the
sketch, and with a nod of intelligence she tripped away. In a few
minutes she returned and presented the hungry artist with--_a pair of
spectacles!_
The late Mr. S. Read, who was one of the first special artists employed
on the pictorial press, travelled much abroad, yet he knew little or
nothing of any language save his mother tongue. Germany, Italy, Austria,
Spain, France, Belgium, Switzerland, were all visited by him, and he got
on very well without speaking the language of any of those countries. He
was a man of genial humour, accustomed to make the best of everything,
and not easily put out by trifles. He was once travelling in the south
of France when a fellow-passenger in the train accosted him in French,
and was much surprised to find he was not understood.
'Vat!' said the Frenchman; 'you travel and speak no French! Speak you
German?'
'No.'
'Nor Italian?'
'No.'
'Spanish?'
'No.'
'Ah, mon Dieu! you travel and speak noting!' and with a pitying grimace
and shrug of the shoulders he looked round at the other passengers.
Presently our artist took his revenge. As they were passing a town with
a ruined castle on a hill he said, with much fervour, addressing the
Frenchman,--
'How beautifully that old tower is relieved by the dark foliage! What a
splendid contrast is the cold grey of the hill behind! How harmoniously
the distance is blended with the middle distance, and the middle
distance with the foreground, by means of the bridge across the river!'
The Frenchman stared, stammered, and confessed he did not comprehend.
'What!' said our artist; 'you travel and do not understand English!'
'Ver leetle.'
'Do you speak Scotch?'
'Non, m'sieur.'
'Nor Irish!'
'Non.'
'Welsh?'
'Non.'
'Suffolk?'
'Non, non, m'sieur.'
With an exact imitation of the Frenchman's contemptuous shrug our friend
turned to their fellow-travellers amid the loud laughter of those who
understood the joke.
Public-domain text, read in full here on John Shaqi.
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