According to Clarendon, the Royal Standard was set up under the most ill-omened and depressing circumstances: 'There was not one regiment of foot yet brought hither, so that the train-bands which the sheriff had drawn together were all the strength the King had for his person and the guard of the Standard. There appeared no conflux of men in obedience to the proclamation; the arms and ammunition were not yet come from York, and a general sadness covered the whole town. The Standard was blown down the same night it had been set up, by a very strong and unruly wind, and could not be fixed again in a day or two, till the tempest was allayed. This was the melancholy state of the King's affairs when the Standard was set up.' [Illustration: PRINCE RUPERT, GENERAL OF THE KING'S HORSE, 1643.] Soon after the King had unfurled his Standard at Nottingham the battle of Edgehill was fought, and an illustrated tract relates how the inhabitants of Kenton, a village near the battle-field, were disturbed at night by strange noises and the appearance of apparitions after the battle. The name of Prince Rupert begins to appear in the narratives of events, and his portrait frequently occurs in the illustrated sheets of this period. This dashing and impetuous Cavalier, whose rash courage excited the admiration of the Royalists, was regarded by the Roundheads as a cruel and bloodthirsty enemy, and he was often denounced by the Puritan preachers. In 1643 there was a pamphlet published called '_The Bloody Prince; or, a Declaration of the Most Cruell Practises of Prince Rupert and the rest of the Cavaliers in fighting against God and the true Ministers of his Church_.' Facing the title is a woodcut representing Prince Rupert on his charger, with the towns of Birmingham and Daventry in the background, both of which places were the scenes of conflict during the war, the former having been taken, partially burnt, and a heavy fine inflicted on the inhabitants by Prince Rupert.