This broadside was an agreeable change from the prodigies and monstrosities with which the public were so liberally supplied. A specimen of the latter was published in 1655, which must have tried the faith of even the most credulous. It is described as '_The True Portraiture of a prodigious Monster, taken in the Mountains of Zardana_; the following Description whereof was sent to Madrid October 20, 1654, and from thence to Don Olonza de Cardines, Ambassador for the King of Spain now resident in London. Its stature was like that of a strong well set man, with 7 heads, the chief of them looking forward, with one eye in its front; the other heads have each two eyes in their natural situation, the ears of an Ass; with its principal head it eates, drinks, and cryes with an extraordinary and terrible voice; the other heads are also moved to and fro; it hath seven Arms and Hands of a Man, very strong in each of them; from the middle downward it is like a Satyr, with Goats feet, and cloven,' &c. This broadside has a very well-executed copperplate engraving of the monster; and another sheet of the same date has a woodcut copy of the same engraving, together with a long account in verse 'to the tune of Summer Time,' and the following additional particulars: 'The News of this Satyrical Monster being noysed abroad throughout all Spain, France, and Italy, made a desperate fear, and general distemper amongst all the Popish Prelates, Cardinals, Jesuites, Monks, and Fryers; yea, the very Pope himself trembled to hear this strange Report. There is a Prophesie in the 13 of the Revelation, of a great Red-Dragon and a Beast with seven heads that should arise out of the Sea, that should continue 42 moneths, which was to come to pass before the great and terrible day of judgement; which by the appearing of these strange Monsters is neer at hand now.' At the Restoration several broadsides of news were published containing engravings. There is one giving an account of the coronation of Charles II., which is illustrated with a copperplate engraving of the King seated on his throne, robed and crowned, with the following complimentary lines:-- 'The Second Charles, Heire of the Royal Martyr Who for Religion and his Subjects Charter Spent the best Blood, that unjust Sword ere dy'de Since the rude Souldier pierced our Saviours side. Who such a Father had'st, and such a Son; Redeem thy people and assume thy own, Ascend thy Ancestors Imperial seat Of Charles the Good, thou second Charles the Great, That adds the worth; this lustre to the Crown, Whose solid Glorious weighed Usurpers down. Such Majesty as never was profan'd While Tyrants rul'd 'twas only Charles that reigned.'