The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The outer enceinte of the castle of Montalban encloses a space of five
or six acres in extent, in which no buildings remain, with the exception
of the picturesque ruin of a small chapel in the centre. Like almost all
other residences possessed of scenery sufficiently precipitous, this
castle boasts its lover's leap. A projection of wall is pointed out,
looking over the most perpendicular portion of the ravine, to which a
tradition is attached, deprived by time of all tangible distinctness, if
ever it possessed any. The title given to the spot in this instance is
"The Leap of the Moorish Girl," Despeñadera de la Mora. The position
will probably bear no comparison with the Leucadian promontory; nor is
it equal to the Peña de los Enamorados, near Antequera, in Andalucia,
immortal likewise in the annals of passion, and of which the authentic
story is preserved. Of those in our country I could name one--but I will
not, though few know it better--nor is it the meanest of its tribe. But
with these exceptions I know of none among the numerous plagiarisms of
the famous lover's leap of antiquity that offers to despair in search of
the picturesque more attractions than the Despeñadera of Montalban.
[Illustration: CASTLE OF GUADAMUR.]
The best preserved castle of these environs, and the handsomest
building, is that of Guadamur. It is not large, but it is impossible for
a residence-fortress to be more complete, and more compact. It is
composed of three enclosures, one within the other, and forms a
quadrangle, with the addition of a lofty and massive tower, projecting
from one of the angles. The centre, or inner quadrangle, is about half
the height of the tower, and has, at its three remaining angles, and at
the centre of each front, an elegant circular turret. This portion of
the edifice formed a commodious and handsome residence. It was divided
into two stories, with vaulted ceilings,--the lower apartments being
probably set apart for the offices of attendants, and places of
confinement for prisoners: in the centre of the upper story was a
diminutive open court, supported by the vaults of the ground-floor, and
into which a series of elegantly proportioned rooms opened on all sides.
Although the greater part of the vaults and interior walls are fallen
in, the rooms are all to be traced, and inscriptions in the old Gothic
letter run round the walls of some of the apartments. A second enclosure
rises to about two-thirds of the elevation of the inner quadrangle, and
is provided with corresponding turrets; but the proportions of these are
more spacious, and their construction and ornament more massive. Beyond
this are the exterior defences rising out of the moat, and very little
above the surrounding ground.
Public-domain text, read in full here on John Shaqi.
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